Mary had Joseph. Esther had Mordecai. Ruth had Boaz. We will not become the women God intends us to be without the guidance, counsel, wisdom, strength, and love of good men in our lives.
Esther came to a proud imperious man; we come to the God of love and grace.
Life is not a straight line leading from one blessing to the next and then finally to heaven. Life is a winding and troubled road. Switchback after switchback. And the point of biblical stories like Joseph and Job and Esther and Ruth is to help us feel in our bones (not just know in our heads) that God is for us in all these strange turns. God is not just showing up after the trouble and cleaning it up. He is plotting the course and managing the troubles with far-reaching purposes for our good and for the glory of Jesus Christ.
Esther, however, was the only woman who understood one very simple thing: in order to be able to find her, I first had to find myself.
"Plaza de la Soledad" is a documentary about Carmen, Lety, Raquel and Esther, four strong women - middle-aged and older - who want to break a vicious circle that began with abuse and abandonment suffered from an early age. They simply want to have a better life. The film follows their quest to find true love and their capacity to transform themselves.
The opportunities for using our financial resources to spread the gospel and strengthen the church all over the world are greater than they've ever been. As God raised up Esther for just such a time as hers, I'm convinced he's raise us up, with all our wealth, to help fulfill the great commission. The question is, what are we doing with that money? Our job is to make sure it gets to his intended recipients.
I wanted each woman to be a rebellious Vashti, not an Esther.
Jerusalem Maiden is a page-turning and thought-provoking novel. Extraordinary sensory detail vividly conjures another time and place; heroine Esther Kaminsky’s poignant struggle transcends time and place. The ultimate revelation here: for many women, if not most, 2011 is no different than 1911, but triumph is nonetheless possible.
But it's also the beginning of another level of liberation for her]Eleanor Roosevelt], because when she returns to New York, she gets very involved in a new level of politics. She meets Esther Lape and Elizabeth Read, and becomes very involved in the women's movement, and then in the peace movement. And ironically, the years of her greatest despair become also the years of her great liberation.
I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well!
What is a bad thing anyway? A bad thing is something that is different than what I want. Who gets to decide what the bad thing is? Jerry and Esther watched the mother bird lay her eggs in the nest, and then the neighbor's cat ate the baby bird. Esther said "bad cat!" And the cat said, "good bird!
Esther Rantzen, like me, is an egomaniac of the highest order.
Esther Williams? Wet, she's a star. Dry, she ain't.
I'd rather have a daughter in a whorehouse than a son in the police force,' Esther used to rage to anyone who would listen.
Are you really going to catch us and take us back to Esther? We don’t belong to her, you know.” Embarrassed, Victor stared at his shoes. “Well, children all have to belong to somebody,” he muttered. “Do you belong to someone?” “That’s different.” “Because you’re a grown-up?
Leaning her silly, beautiful, drunken head on my shoulder, she said, "Oh, Esther, I don't want to be a feminist. I don't enjoy it. It's no fun." "I know," I said. "I don't either." People think you decide to be a "radical," for God's sake, like deciding to be a librarian or a ship's chandler. You "make up your mind," you "commit yourself" (sounds like a mental hospital, doesn't it?). I said Don't worry, we could be buried together and have engraved on our tombstone the awful truth, which some day somebody will understand: WE WUZ PUSHED.
You own a Tic Tac. Gum is just borrowed. - Esther
Writers. For some reason, a lot of you reject what you hear and see in your heads. If you go too long ignoring it, it builds up and then you do all sorts of weird things. Mumble to yourself. Nightmares. Day-dreams. Total anarchy and chaos. Before you know it, the writer is either sitting in corner feverishly humming to his- or herself or on Prozac. You’re not on Prozac, are you? (Esther)
Her visits to her former hometown were infrequent and often painful. Pilgrimages fueled by the tepid oxygen of family duty, unease, guilt. The more Esther loved her parents, the more helpless she felt, as they aged, to protect them from harm. A moral coward, she kept her distance.
The moment in The Bell Jar when Esther Greenwood realizes after thirty days in the same black turtleneck that she never wants to wash her hair again, that the repeated necessity of the act is too much trouble, that she wants to do it once and be done with it, seems like the book's true epiphany. You know you've completely descended into madness when the matter of shampoo has ascended into philosophical heights.
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