It’s true: Medium has the best web-based editor I’ve ever seen. And I’ve seen them all.
The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.
Start with something messy, get to the point, get an editor, and make it good.
I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.
After the war in Afghanistan, Anna [Wintour, editor of Vogue], deciding to save the world one hair-roller at a time, thought the best way to help the women in this beleaguered country was to start a small beauty school in Kabul, where aid workers could get their roots done. Vanity Fair, edited by Bush-basher Graydon Carter, cheered her great humanitarian effort.
Science today is locked into paradigms. Every avenue is blocked by beliefs that are wrong, and if you try to get anything published by a journal today, you will run against a paradigm and the editors will turn it down
I don’t want to be an editor! I don’t want to direct; I’d be a horrible director. I don’t want to write - I have a “story by” credit on one film I did. And I don’t want to edit at all.
The best thing about being an artist, instead of a madman or someone who writes letters to the editor, is that you get to engage in satisfying work. Even if you never publish a word, you have something important to pour yourself into.
I am a news presenter, a news broadcaster, an anchorman, a managing editor - not a commentator or analyst. I feel no compulsion to be a pundit.
My job, as I see it, is to give you a window into another world and another story, and then to be as graceful as I can so that you don't feel my work or the editor's work or the lens or the light or anything.
If you would like to write better than everybody else, you have to want to write better than everybody else. You must take an obsessive pride in the smallest details of your craft. And you must be willing to defend what you've written against the various middlemen - editors, agents and publishers - whose sights may be different from yours, whose standards not so high.
The successful editor is one who is constantly finding newwriters, nurturing their talents, and publishing them with critical and financial success.
It's very hard to stand up to the government which is saying that publication will threaten national security. People don't seem to realize that reporters and editors know something about national security and care deeply about it.
To write a good memoir you must become the editor of your own life, imposing on an untidy sprawl of half-remembered events a narrative shape and an organizing idea. Memoir is the art of inventing the truth.
I was a book editor for nine years. I'm familiar with the opposite experience, bracing myself for the likelihood that no one would want to publish my book.
Never demean yourself by talking back to a critic, never. Write those letters to the editor in your head, but don't put them on paper.
I was a newspaper editor in high school, and I truly thought of journalism as a career. I loved it.
Religion embarrasses the commentators. It is offbounds. An editor of the old Life magazine once assigned me a book on religion with remark that I was the only 'religious nut' - his term for a believer - in his stable of regular reviewers.
For better or worse, editing is what editors are for; and editing is selection and choice of material. That editors newspaper or broadcast can and do abuse this power is beyond doubt, but that is no reason to deny the discretion Congress provided.
Be persistent. Editors change; tastes change; editorial markets change. Too many beginning writers give up too easily.
An editor is the uncrowned king of an educated democracy.
I'm thoroughly convinced that editors don't help authors.
The editors are committed to nothing save this: to keep common sense as fast as they can, to belabor sham as agreeably as possible, to give civilized entertainment.
A magazine editor recently asked me to sit down on my 40th birthday and write an article on the most important things I had learned in my first 40 years. I told him that the chief thing I had learned was that the copybook maxims are true, but that too many people forget this once they go out into the heat and hustle and bustle of the battle of life and only realize their truth once one foot is beginning to slip into the grave. The man who has won millions at the cost of his conscience is a failure.
I don't want to be an editor - I want to be really forward about that. I would be a horrible editor.
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