I loved working with Bob Dylan.
I'm a catalogue artist: I compete with Bob Dylan.
I call it fan fatigue. I went to see Bob Dylan last year, who I think is absolutely incredible, but he suffers from his audience.
Townes Van Zandt is the best songwriter in the whole world, and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that.
The invention of Bob Dylan with his guitar belongs in its way to the same kind of tradition of something meant to be heard, as the songs of Homer.
Bob Dylan's first couple of records in the 60's weren't considered cover records, but he only wrote one or two original songs on each album.
I was buying Bob Dylan mainly, everything I could get hold of by him.
Forever Young, by Dylan, is one of my favorite songs.
I would say that Bob Dylan is as interested in money as any person I`ve known in my life. That`s just the truth.
Bob Dylan did the first really long record - Like A Rolling Stone - I think it was four minutes.
Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie.
Bob Dylan impresses me about as much as... well, I was gonna say a slug but I like slugs.
I had the only beard in the Western Hemisphere that made Bob Dylan's look good.
I have three dads: my biological father, God and Bob Dylan.
We are at a crossroads in the music business: with the rise of the internet, the world we live in has changed, and the past is not coming back. But I see the glass as half-full: the internet and social networking are new avenues for the next Bob Dylan to be born on.
Remember the Bob Dylan rule: it's not just a record, it's a movement.
Yeah, and so Max and Dylan are supposed to, like, go to Germany and have kids together," I heard Gazzy say. My eyes popped open and I bolted upright. "What?" Fang said, his voice icy. "Gazzy!" I yelled. Wide blue eyes looked at me in surprise, then back at Fang's stoic face. "Oh. Was I not supposed to say anything?" Gazzy asked.
Whatever that ["transfiguration" by Bob Dylan] means, it's true that the poetic brilliance of the early career would never really reappear.
If I had an axe on the evening at Newport when [Dylan] broke out the electric guitar, I'd have cut his cable.
The drama teacher that I had in high school, back in Texas, was the only teacher who didn't kick me out of his class. He turned me on to 'The Freewheelin' Bob Dylan.' I had picked up Dylan with 'Bringing It All Back Home,' and he turned me on to the first couple of albums, which I hadn't heard.
If Woody Guthrie set the bar for American songwriters, Bob Dylan jumped right over it. No one I know will ever come close to possessing the beauty of melody and the use of language that Dylan shares with us, with ease.
To us, there was Bob Dylan, and there was dad. As for what he meant to other people, that was never glorified in our house. There were no accolades there, no gold records.
Bob Dylan's one of the greatest blues singers of the western world; ancient art, on-the-spot improvisation, mind quickness, endless variation, classical formulae, prophetic vision, mighty wind-horse.
There's no concession to the fact that Dylan might be a more sophisticated singer than Whitney Houston, that he's probably the most sophisticated singer we've had in a generation. Nobody is identifying our popular singers like a Matisse or Picasso. Dylan's a Picasso - that exuberance, range, and assimilation of the whole history of music.
There would be brilliant songs, but, as [Bob] Dylan admitted on the recent Martin Scorsese documentary about him (No Direction Home), the specific muse that inspired "It's Alright Ma" would not return.
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