Maybe you can make art out of unredeemed pain, but only if you're a genius -- Dostoyevsky perhaps.
I'm most impressed by the Russian writers, so I love reading the works of Tolstoy and Dostoyevsky. Another author who has informed the way I think is the French philosopher, Blaise Pascal.
It happened, as many things do, imperceptibly, in many ways at once. I date it - the slow crumbling of my faith, the pulverization of my fortress - from the time, about a year after I had begun to preach, when I began to read again. I justified this desire by the fact that I was still in school, and I began, fatally, with Dostoyevsky.
I like reading... French, Russian classics - Gogol, Tolstoy, Dostoyevsky, Flaubert. I also like Hemingway, Virginia Woolf.
If I had not existed, someone else would have written me, Hemingway, Dostoyevsky, all of us.
Because Dickens and Dostoyevsky and Woody Guthrie were telling their stories much better than I ever could, I decided to stick to my own mind.
The point is that if there is no God, then objective right and wrong do not exist. As Dostoyevsky said, “All things are permitted.
All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy or Dostoyevsky. And then there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don't matter. The lake matters. You must keep feeding the lake.
Making eye contact during rough sex is roughly the equivalent of trying to read Dostoyevsky on a rollercoaster.
I recognize limitations in the sense that I've read Tolstoy and Dostoyevsky and Shakespeare . . . Aside from that I don't think of limiting myself.
I was influenced growing up by everything from Harlequin romances to Fedor Dostoyevsky and Albert Camus, James Baldwin, Toni Morrison, and later Lydia Davis, Mary Gaitskill, bell hooks.
We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.
In adopting the form of the adventure novel, Wells deepened it, raised its intellectual value, and brought into it elements of social philosophy and science. In his own field - though, of course, on a proportionately lesser scale - Wells may be likened to Dostoyevsky, who took the form of the cheap detective novel and infused it with brilliant psychological analysis.
Isaiah Berlin once said that there are two kinds of writers, hedgehogs and foxes. He said the fox knows many things, the hedgehog knows just one thing. So Shakespeare is a typical fox; Tolstoy and Dostoyevsky are typical hedgehogs. Now, I'm a typical hedgehog. I know just one thing, and I repeat it over and over again. I try to approach it from different angles to make it look different, but it's the same thing.
I was raised in a household where I read Nietzsche and Dostoyevsky and Kant, and I was never taught that my mind was feminine. I'm aware that my body is.
The novelistic attribute of my work is very much like the Russian way of creating novels. Tolstoy, Dostoyevsky - their work has so many gaps. But for the reader, you cannot erase those gaps because they are important. They contextualize the whole struggle. My cinema is like that.
I don't think anybody says to Coetzee or Dostoyevsky or Kafka, "Your characters aren't likeable." It's not about your character winning a popularity contest. That's not the writer's job.
I would say it was [ifluence] all the Greeks and the Russian classics like [Lev] Tolstoy, [Andrey] Goncharov,[Fedor] Dostoyevsky, [Alexander] Pushkin, and the international classics in Russian translation like Victor Hugo, George Sand, Charlotte Bronte, Sir Walter Scott, Mark Twain.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: