We'll be back to our nature documentary, 'Baggy the Anorexic Elephant' in just a second.
In a way then, the Divine Principle, this new revelation, is the documentary of my life. It is my own life experience. The Divine Principle is in me, and I am in the Divine Principle.
Documentary: That’s a sophisticated and misleading word. And not really clear… The term should be documentary style… You see, a document has use, whereas art is really useless.
Well, I want to do everything in sort of a documentary style, ever since I started in the '80s.
In documentary we deal with the actual, and in one sense with the real. But the really real, if I may use that phrase, is something deeper than that. The only reality which counts in the end is the interpretation which is profound
We're telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.
Documentary filmmaking has all the challenges and hardships of narrative filmmaking without any of the infrastructure or support. That's both a blessing and a curse.
With documentary-film projects, you hope you highlight an area of concern people haven't thought about before. A lot of times, I'm asking myself - 'This seems to be a significant problem. What can be done that hasn't been done?
Documentary is thought to be art when it transcends its reference to the world, when the work can be regarded, first and foremost, as an act of self-expression on the part of the artist.
Truth is stranger than fiction," as the old saying goes. When I watch a documentary, I can't help crying and then I think to myself, "Fiction can't compete with this." But when I mentioned this to a veteran manga artist friend of mine he said that "fiction brings salvation to characters in stories that would otherwise have no salvation at all." His words strengthened the conviction of my manga spirit.
In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.
I have always felt that documentaries are an opportunity for me to witness a world that I know nothing about.
I think the greatest thing about making a documentary is your ability to just follow the story and the subject.
You know, the process of making a documentary is one of discovery, and like writing a story, you follow a lead and that leads you to something else and then by the time you finish, the story is nothing like you expected.
Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.
If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.
Depression is a real demon in the woods for a lot of creative people, you know? It's part of what the documentary is trying to be about for me, finding balance, where the beauty that is attainable in the creative arts can be matched with the scratchy roughness of regular life.
Films are always a fiction, not documentary. Even a documentary is a kind of fiction.
If you had the opportunity and some talent, there was no way you couldn't progress, because it was an open market. There was the advertising world, and there was the documentary world.
You're making a movie, not a documentary. If you made a film like the historians would like you to make, you're not going to go and see it. I'd rather see paint dry.
What is a novel if not a conviction of our fellow men's existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history.
So I do tend to do documentaries where I can move in and out of them.
I watch movies occasionally, and I watch documentaries. Virtually nothing else.
Photography is not documentary, but intuition, a poetic experience.
With documentaries, you go in with an open-mind but knowing what you want.
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