A man must be able to cut a knot, for everything cannot be untied; he must know how to disengage what is essential from the detail in which it is enwrapped, for everything cannot be equally considered; in a word, he must be able to simplify his duties, his business and his life.
Here's a Challenge: Study a complicated topic in such detail that anyone interested can nod their head and understand as you explain specific concepts within the topic.
In solitude we give passionate attention to our lives, to our memories, to the details around us.
Women observe subconsciously a thousand little details, without knowing they are doing so. Their subconscious mind adds these little things together - and they call the result intuition.
In fact, whenever energy is transmitted from one body to another in time, there must be a medium or substance in which the energy exists after it leaves one body and before it reaches the other ... and if we admit this medium as an hypothesis, I think it ought to occupy a prominent place in our investigations, and that we ought to endeavour to construct a mental representation of all the details of its action, and this has been my constant aim in this treatise.
For the 99 percent of the time we've been on Earth, we were hunter and gatherers, our lives dependent on knowing the fine, small details of our world. Deep inside, we still have a longing to be reconnected with the nature that shaped our imagination, our language, our song and dance, our sense of the divine.
A lot of our entertainment throws into detail the stagnation and illness of how we live today-it's sad and it's sick... and it's profitable.
As soon as you go into any biological process in any real detail, you discover it's open-ended in terms of what needs to be found out about it.
Culture is a way of coping with the world by defining it in detail.
Exhortations to obstruct the operations of Government in detail, should; Exhortations to resist all.
Highly educated bores are by far the worst; they know so much, in such fiendish detail, to be boring about.
I have always made an effort to render every detail of my reality with the greatest accuracy; but I have never paid attention to whether my presentation of historical facts was an exact one.
The devil is in the details, and everything we do in the military is a detail.
What a lumbering poor vehicle prose is for the conveying of a great thought! ... Prose wanders around with a lantern & laboriously schedules & verifies the details & particulars of a valley & its frame of crags & peaks, then Poetry comes, & lays bare the whole landscape with a single splendid flash.
So I made an outline. Well, you know, days are going by, and I am not writing anything because this thing is laid out in front of me. It's as if you get every brochure for a trip you are going to go on and you get the minutest details of every step along the way. Well, I really doubt you're going to then get in the car and go. You know, it's like, why bother if it's all laid out in front of you?
It's all a terrible tragedy. And yet, in it's details, it's great fun. And - apart from the tragedy - I've never felt happier or better in my life than in those days in Belgium.
Short stories can be rather stark and bare unless you put in the right details. Details make stories human, and the more human a story can be, the better.
Writers the most learned, the most accurate in details, and the soundest in tendency, frequently fall into a habit which can neither be cured nor pardoned,-the habit of making history into the proof of their theories.
In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you'll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball.
I often need physical gesture to balance dialogue. If I write in public, every time I need to know what a character is doing with his hand or foot, I can look up and study people and find compelling gestures that I can harvest. Writing in public gives you that access to a junkyard of details all around you.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
I always choose an area that is of personal interest, but I don't plan my travels in detail. There are so many variables one cannot predict: the changing light, weather, personal mood, and often just plain luck. Of course, you must have a starting point, so I establish some fixed points then improvise as I go. In many cases the locations seem to choose me.
At the root of creativity is an impulse to understand, to make sense of random and often unrelated details. For me, photography provides an intersection of time, space, light, and emotional stance. One needs to be still enough, observant enough, and aware enough to recognize the life of the materials, to be able to 'hear through the eyes'.
The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression... In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif.
Every landscape is, as it were, a state of the soul, and whoever penetrates into both is astonished to find how much likeness there is in each detail.
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