Yeah, I always listen to both classic and newer folk-influenced music. Singer-songwriter, alternative music. I also listen to more experimental dance music.
So dance music is now pop music. So now, as a dance producer, what do I have to do? So I'm starting to do alien music, because pop is not pop anymore; we need to go alien to be independent.
Trance is a very emotional and uplifting form of dance music. It appeals to many people in this way having such a strong connection with emotions. It makes people happy and ready to party.
There's only so much you can do with a male voice in dance music.
Dance music is Madonna's base. It's what she likes, it's what she listens to. It's not anything other than that. She doesn't read what's on the charts. And if it's on time, great. This is who she is.
Every music - except dance music, which is for dancing, I suppose - is for the spirit of the human being, and not for the body.
Underground dance music - in the nicest way possible - it's amateur.
When Talking Heads started, we called ourselves Thinking Man's Dance Music.
We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.
I think rap music has made more money on dance music than dance music has made on dance music. Just a thought.
Dance music ... stirs some barbaric instinct - lulled asleep in our sober lives - you forget centuries of civilization in a second, & yield to that strange passion which sends you madly whirling round the room.
I hope to do a visual for every single thing, even if it’s as small as a gif or as big as a whole dance music film.
From the beginning, I wanted to make dance music with a human element to it.
To the U.S. and the world, I'm just known as some funny song and some funny music, some funny video guy. But in Korea I'm doing one of the biggest concerts; it's not a dance music concert. I'm playing with the band, so I change my every song to a rock song.
I think whether dance music had exploded in America, I still would've been a DJ a long time. This is my first love.
That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.
Dance music makes us dance. Let us get off our couch and spin around!
I've been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.
I also think there's something about dance, music and the arts that transcends all other types of communication and expression.
It's weird - the cab driver is playing very loud dance music and yet it doesn't really feel like a party.
Now you are seeing electronic dance music producers on TV, on talk shows. It's so great to see the festivals growing bigger and bigger, it's like one big family that's all partying with each other. I love being a part of that.
Americans are good at making dance music.
The thing is, I would need the right producer [for dance-music album ], right? "Calling all dance music producers! I'm available.
Calling all dance music producers! I'm available.
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