Christians are called to redeem entire cultures, not just individuals.
In the emerging culture, darkness represents spirituality. We see this in Buddhist temples, as well as Catholic and orthodox churches. Darkness indicates that something serious is happening.
Aesthetics is not an end in itself. But in our culture, which is becoming more multi-sensory and less respectful of God, we have a responsibility to pay attention to the design of the space where we assemble regularly. In the emerging culture, darkness represents spirituality. We see this in Buddhist temples, as well as Catholic and Orthodox churches. Darkness communicates that something serious is happening.
We look for evidence of the divine and we find it in nature, in art, in literature, in music in film, so, rather than fear the surrounding culture, and the surrounding cities which predictably results in a bunker mentality the emerging congregation embraces the culture and expects to find God in it" the emerging congregation embraces the culture recognizing that its not all pretty but it embraces the culture and even then expects to find god in it because there is nowhere god isn't. there are many places where the church isn't but I don't think that means there are places where god isn't.
Countries can be redeemed. Entire cultures can be brought to "salvation". The land itself can be healed. ... And such miraculous change is brought about by one primary avenue: God working through the market place. ... The primary means to true revival, though, takes place first in the market place.
Podor is a nice town. It's at the north of Senegal near the river. The town faces the other country that is Mauritania. It is a very cultural town, because at the beginning it was closest stop when you come from the Sahara and also when you come from the south to go to the north part of Africa. It was just at the middle, and so it's where a lot of cultures of West Africa come together.
I never experimented with the hoddu like I wanted to do. Like on the song "Allah Addu," the hoddu and the voice is something that belongs to West African culture. When you go to the north of Mali, in the past it was just the singer and one instrument player. We never really did have that on our CDs. On some other songs, like "Laare Yoo," we have a whole section of hoddu, something like four of them playing together.
I'm inspired to write songs in many different ways - it can come from a melody, a word or phrase or something I have seen on my travels around the world. It's one of the great bonuses of my job in that I get to meet so many people and experience different cultures and it would be hard not to be inspired.
If I worried about that, I wouldn't have made a single record in my whole career. I think more and more, audiences appreciate something that is distinctive and different. Everyone always throws out this figure, 'Jazz is now down to three percent of the total record sales.' So does that mean it is not important? I think if we agree that human culture itself is important, then I think those three percent take on a greater significance.
I think I realised, at teachers' training school, that I felt that the culture that I came from, the Sámi culture, was not good enough, so I wanted to be Norwegian or European, I wanted to forget the culture. And then this music started to... in a way I had to ask myself "why is this, and what does all this come from?
My parents were real classic rock freaks, so I heard a lot of Zeppelin, Stones, Hendrix stuff. Thankfully, they were also into lots of old soul, too, so we listened to Stevie Wonder, Earth Wind & Fire and War. I was so isolated where I grew up (a small town in Pennsylvania) that there was literally no culture.
Yes, but the thing is my influences are so rooted in afro-American culture especially that it's quite sad to not enjoy the same success because the influences are so strong from there.
I think poets are supposed to be writing for television and film. I grew up in the day of early TV that was so raw and funny, and I think we're in the next important moment of television, where it's really telling the epic of the culture like Charles Dickens was doing in the 19th century with his serialized novels.
Phillip Roth uses his Black women characters to make anti intellectual remarks about Black history month, begun by a man who reached intellectual heights that Roth will never attain. Roth is a petty bigot and his ignorant remarks about black culture expose him as a buffoon to scholars the world over.
There is a cultural norm on the left of being afraid to declare victory, which is related to the binary of reform/revolution. Whereas reformists are winning small gains, revolutionaries don't want people to be satisfied with those small victories because they worry this will lead to acceptance of the bigger picture of capitalism domination, and so they find a way to turn every victory into a defeat. In the book, I call for a culture of declaring victory wherever we can.
It's funny how film is the slowest art form to adapt to freedom. It's had freedom all along. It could've done whatever it wanted to. You know the same freedom that do-it-yourself punk and post-punk musicians had in the late 70s and ever since. That's about the time I started getting interested in film, and I assumed that film would be moving along with the other pop culture forms. Its finally done it but it's taken decades for it to catch up just to basement band level.
The terrorists provide an outlet where with just one action, a raped woman can go from being a source of dishonour to her family to being a source of pride in a culture of martyrdom.
You have to realize there are other people, other economies, governments, cultures, religions, and destinies going on at the same time as yours. You have to widen the scope of your lens and start seeing more.
What I find interesting and heartening, though, is that there does seem to be a shift in the subject matter being written about by women that is doing well in the culture. We're seeing more women writing dystopian fiction, more women writing novels set post-apocalyptic settings, subjects and themes that used to be dominated by men.
I'm a pop culture junkie. I'm a People magazine reader, an US Weekly subscriber; all of those celebrity magazines get my dollar.
My mom was a big Elvis fan and a general pop culture buff, and so I grew up in a house filled with what were then called "movie magazines,"Before Elvis when Rhona Barrett wrote her column about the stars. And so it seeped in.
I think graffiti is part of Berlin culture. You think about what the Berlin wall meant and how visible that was in everyone's life. How it was a part of their very identity.
Berlin is a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way.
MTV Awards are fun - it's MTV! You never know what's going to happen. It's a slice of pop culture in the moment, and you can't take it too seriously.
As an artist and a songwriter myself, I like to feel connected to modern culture and watch how sounds change.
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