The danger that may really threaten (crime fiction) is that soon there will be more writers than readers
Crime fiction makes money. It may be harder for writers to get published, but crime is doing better than most of what we like to call CanLit. It's elementary, plot-driven, character-rich story-telling at its best.
Crime fiction confirms our belief, despite some evidence to the contrary, that we live in a rational, comprehensible, and moral universe.
Most crime fiction, no matter how 'hard-boiled' or bloodily forensic, is essentially sentimental, for most crime writers are disappointed romantics.
Crime fiction is the fiction of social history. Societies get the crimes they deserve.
Scandinavian crime fiction has become a great success all across the world and rightfully so. Sjowall and Wahloo ushered in a whole generation of Swedish crime writers, many of whom are now available in English.
People are interested in crime fiction when they're quite distanced from crime. People in Darfur are not reading murder mysteries.
The crime fiction genre offers the writer infinite diversity of theme and treatment.
And there are rules for crime fiction. Or if not rules, at least expectations and you have to give the audience what it wants.
I was digging for stuff in a used bookstore, and I came upon 'Little Sister.' I fell in love with Chandler that night. I fell right down the rabbit hole of crime fiction.
I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
I grew up reading crime fiction and, especially in the '80s, women were just there to be saved or screwed.
The mainstream has lost its way. Crime fiction is an objective, realistic genre because it's about the real world, real bodies really being killed by somebody. And this involves the investigator in trying to understand the society that the person lived in.
One of the surprising things I hadn't expected when I decided to write crime fiction is how much you are expected to be out in front of the public. Some writers aren't comfortable with that. I don't have a problem with that.
I was reading Raymond Chandler very much with the feminist eye. In six of his seven novels, it's the woman who presents herself in a sexual way, who is the main bad person. And then you start reading more fiction, whether crime fiction or straight fiction, it's just bad girls trying to make good boys do bad things, going all the way back to Adam and Eve. The woman that thou gavest me made me do it, Adam says to God.
The most popular American fiction seems to be about successful people who win, and good crime fiction typically does not explore that world. But honestly, if all crime fiction was quality fiction, it would be taken more seriously.
I think I'm out of crime fiction now, and I think the dividing line is American Tabloid.
For a long time, I missed being in the courtroom every day. I missed trial work. It was so much a part of my life. It was what I did and who I was. But over the years I did find the opportunity to realize my childhood dream of writing crime fiction.
I'm sold as a literary writer in Holland; I'm sold as crime fiction in England. I think of it as just literature.
Steve Mosby has become one of a handful of writers who make me excited about crime fiction.
Reading Tomato Red-the first Daniel Woodrell novel I came upon-was a transformative experience. It expanded my sense of the possibilities not only of crime fiction, but of fiction itself-of language, of storytelling. Time and again, his work just dazzles and humbles me. God bless Busted Flush for these glorious reissues. It's a service to readers everywhere, and a great gift.
A lot of crime fiction writing is also lazy. Personality is supposed to be shown by the protagonists taste in music, or were told that the hero looks like the young Cary Grant. Film is the medium these writers are looking for.
I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and backdrop characters.
I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted.
The built-in form is a window frame. You can use this genre [crime fiction] to go where you want to go, and explore what you want to explore. In some ways it gives you a lot of freedom because you have a framework readers are looking for.
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