Work can only be universal if it is rooted in a part of its creator which is most privately and particularly himself.
Every few seconds a new book sees the light of day. Most of them will just be a part of the hum that makes us hard of hearing. Even the book is becoming an instrument of forgetting. A truly literary work comes into being as its creator's cry of protest against the forgetting that looms over him, over his predecessors and his contemporaries alike, and over his time, and the language he speaks. A literary work is something that defies death.
If there's going to be another movement, another direction in architecture, it has to engage people differently. Other than saying, here, look at this, isn't this amazing? It has to interactively involve them other than as spectators ... it has to engage them as creators.
Nature with her wealth of birds and flowers, Has in her heart a place for every weed; For her quick eyes require no microscope To note the varied wonders and delights That the Creator's humblest works possess.
I'm tired of being what everyone else has made me," I said. "I want to be myself." "Don't be a child." I looked up, startled and angry, though of course there was nothing to see. "What?" "You are what your creators and experiences have made you, like every other being in this universe. Accept that and be done; I'm tired of your whining.
It is quite certain that, if from childhood men were to begin to follow the first intimations of conscience, honestly to obey them and carry them out into act, the power of conscience would be so strengthened and improved within them, that it would soon become, what it evidently is intended to be, "a connecting principle between the creature and the Creator."
I feel that I was made to complete things. To accomplish only a mass of beginnings and attempts would be to make a total failure of life. Perfection is the heritage with which my Creator has endowed me, and since this short life does not give completeness, I must have immortal life in which to find it.
Creators, makers of the new, can never become obsolete, for in the arts there is no correct answer. The story of discoverers could be told in simple chronological order, since the latest science replaces what went before. But the arts are another story- a story of infinite addition. We must find order in the random flexings of the imagination.
Taking responsibility as a co-creator with God presupposes a basic understanding of how creation works.
I think if the copyright regime focuses on the people we are supposed to be helping, the artists and creators, and builds a system that gives them the freedom to choose and to protect and to be rewarded for their creativity, then we will have the right focus.
A free culture supports and protects creators and innovators. It does this directly by granting intellectual property rights. But it does so indirectly by limiting the reach of those rights, to guarantee that follow-on creators and innovators remain as free as possible from the control of the past. A free culture is not a culture without property, just as a free market is not a market in which everything is free. The opposite of a free culture is a "permission culture" -- a culture in which creators get to create only with the permission of the powerful, or of creators from the past.
For what did the creator prepare me,Why did he so terribly contradictThe hopes of my youth?
We have devoted ourselves to the government and extension of the Church, and, among other objects, we have conceived it to be our duty to foster especially literature and the fine arts ... next to knowledge and true worship of the Creator, nothing is better or more useful to mankind than such studies.
If man is to remain the creator and master of his world then, Stirner maintains, ... all that has been accepted, that has taken on the secure guise of the 'fact', must be return to a state of flux, or be rejected.
We CREATORS are builders. We are dedicated to the idea of building a beautiful world so different and so superior to the present one that we CREATORS of this generation will go down in history as the revolutionaries who ushered in the Golden Age of Mankind.
Every great work of art should be considered like any work of nature. First of all from the point of view of its aesthetic reality and then not just from its development and the mastery of its creation but from the standpoint of what has moved and agitated its creator.
Man is a conscious, rational thinker and a supra-conscious creator genius.
Nature, God, or whatever you want to call the creator of the universe comes through the microscope clearly and strongly
There is no transcendent creator in animism, no god who set the clocks ticking and decides which ones to fix when they falter; nothing exists outside of nature. In other words, my philosophy does not require that I believe in something I cannot experience directly.
A person does not show his actions to the creation except due to his ignorance of the Greatness of the Creator.
The wonder of prayer is rediscovered in who we're speaking to. Prayer is a mystical event by which we get to talk to the Creator of all-the One who fashioned our world with a few words-knowing that God not only listens but answers.
Let’s not ask Barbara Walters about how Muslim women feel. Let’s not ask Tom Brokaw how Muslim women feel. Let’s not ask CNN, ABC, FOX, The London Times, or the Australia Times. Let’s not ask non-Muslims how Muslim women feel, how they live, what are their principles, and what are their challenges. If you want to be fair, ask a Muslim woman. Ask my wife. Ask my mother. Ask a Muslim woman who knows her religion, who has a relationship with her Creator, who is stable in her society, understands her responsibilities. Ask her.
When the dream in our heart is one that God has planted there, a strange happiness flowers into us. At that moment all of the spiritual resources of the universe are released to help us. Our praying is then at one with the will of God and becomes a channel for the Creator's always joyous, triumphant purposes for us and our world.
In reading over the Constitutions of all fifty of our states, I discovered something which some of you may not know: there is in all fifty, without exception, an appeal or a prayer to the Almighty God of the universe. Through all fifty state Constitutions, without exception, there runs this same appeal and reference to God who is the Creator of our liberties and the preserver of our freedoms.
Ultimately, any character you write - no matter how fantastic or alien - is an extension of yourself. When our characters reflect the truth of our souls and psyches, they become real and compelling. The wonderful paradox is that the characters then take on lives of their own, separate from their creators. That's where the magic comes in.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: