The road to hell is paved with adverbs.
Like the child, the creative writing student is posited as a centre of vulnerable creativity, needful of attention and authority.
When I used to teach creative writing, I would tell the students to make their characters want something right away - even if it's only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time.
One must be drenched in words, literally soaked in them.
I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
Some of my educated Filipino friends were aspiring poets, but their aspirations were all in the direction of the United States. They had no desire to learn from the bardic tradition that continued in the barrios. Their ideal would have been to write something that would get them to Iowa, where they would study creative writing.
Creative writing programmes are not very necessary. They just exist so that people like us can make a living.
Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake.
I flew into a small airport surrounded by cornfields and pastures, ready to carry out the two commands my father had written out for me the night before I left Calcutta: Spend two years studying creative writing at the Iowa Writers Workshop, then come back home and marry the bridegroom he selected for me from our caste and class.
When I went to college I took a creative writing class and decided in a week to be a writer.
I don't think American poetry has gotten any better in the past 35 years. Oddly enough, creative writing programs seem to have been good for fiction, and I would not have predicted that.
And after about two years, I realized that creative writing was not going to help you ace those biological tests. So I switched over to journalism. I didn't graduate with honors, but I did graduate on time and with some doing.
The phenomenon of university creative writing programs doesn't exist in France. The whole idea is regarded as a novelty, or an oddity.
I don't think the creative writing industry has helped American poetry.
The road to hell is paved with leeks and potatoes
Inspiration is a guest that does not willingly visit the lazy.
The road to hell is paved with good intentions.
Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time.
The road to Hell is paved with unbought stuffed dogs.
The novelist's ambition is not to do something better than his predecessors but to see what they did not see, say what they did not say.
The one thing emphasized in any creative writing course is 'write what you know,' and that automatically drives a wooden stake through the heart of imagination. If they really understood the mysterious process of creating fiction, they would say, 'You can write about anything you can imagine.'
On plenty of days the writer can write three or four pages, and on plenty of other days he concludes he must throw them away.
If you want to tell people the truth, make them laugh, otherwise they'll kill you.
All the elements of good writing depend on the writer's skill in choosing one word instead of another.
Good prose almost always requires both showing and telling, scenes and summary, the two basic components of creative prose.
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