Creating characters is like throwing together ingredients for a recipe. I take characteristics I like and dislike in real people I know, or know of, and use them to embellish and define characters.
I go through a whole process with the actors first, building and creating characters, then I encourage them to sort of live in that character when they're in the screen.
If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
I believe that the writer should tell a story. I believe in plot. I believe in creating characters and suspense.
I understood, through rehab, things about creating characters. I understood that creating whole people means knowing where we come from, how we can make a mistake and how we overcome things to make ourselves stronger.
I think much has been made of this alter ego business. I mean, I actually stopped creating characters in 1975 - for albums, anyway.
Nothing can compare to creating characters and worlds out of thin air with your friends and making a book exactly the way you think it should be made, pure creative freedom, purity of intention, with no boundaries.
So long as a novelist works selfishly for the pleasure of creating character and situation corresponding to his own illusions, ideals and intuitions, he will always produce something worth while and natural. Directly he takes himself too seriously and begins for the alleged benefit of humanity an elaborate dissection of complexes, he evolves a book that is more ridiculous and tiresome than the most conventional cold cream girl novel of yesterday.
Creating characters is just another way to express a type and put that type to use.
To me experimental fiction ultimately is about the experiment and I'm not interested in experiments for their own sake, and if anything I've always steered a bit clear of that kind of thing, because it seems gimmicky to play around with text rather than do the work of telling a story and creating characters.
When I'm creating characters, I definitely think of theme songs. Writing for me is very visual, so I sometimes think of it in terms of a movie with a soundtrack, and try to transfer that to words.
I did private study for about a month, five days a week, six hours a day. I came to understand the character in ways that I never would've previous to that. I was so innocent in respect to ways of creating characters.
I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.
I think it is all about creating characters, mixing them up with the stars and the light-years, and coming back to Earth, because we're from this universe. We're not just New York or London; we're stars.
The acting is more of a secondary thing for me now. I will be in it, if I'm the best man for the job, but it really is about creating characters and shows.
I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
The easier you make it look, the more difficult it is. Creating characters out of nothing, and making them interesting - and that's another advice I would give to writers.
I just love that feeling of being in another world, of creating characters and watching where they go.
A big part of filmmaking, and a big part of the power of filmmaking, is creating characters that people fall in love with. So, those things, like the bloopers, create more reality and dimension, and the sense that these are not drawings or shadows, but they are living, breathing, thinking characters. That's the illusion.
For modeling, I was always creating characters. I dress like a tomboy. So, when I'd go into a shoot, there'd be all these dresses, and I'd say to myself, 'Okay, this isn't me. It's somebody else. So, who is this person?' Acting is the next level of that.
I had a very happy childhood, but I wasn't that happy a child. I liked being alone and creating characters and voices. I think that's when your creativity is developed, when you're young. I liked the world of the imagination because it was an easy place to go to.
I'm a neurotic New York Jew by birth. Creating characters is second nature to me.
My role in 'Legally Blonde' was really rewarding, because I had so much fun working on the movie. I've had really rewarding experiences on tiny low budget films that you'll never see but where I had a cool time creating characters as well. I love almost all of the characters I've played.
Both men and women today see marriage not as a way of creating character and community but as a way to reach personal life goals. They are looking for a marriage partner who will 'fulfill their emotional, sexual, and spiritual desires.' And that creates an extreme idealism that in turn leads to a deep pessimism that you will ever find the right person to marry.
I have made a career of creating characters who fight school authority and chomp at the bit to get out into the 'real' world and live their lives, mostly because that's the kind of teenager I was.
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