I did that Dior Couture 60th anniversary show in July. It took so long to get ready, I think I would have rather been watching.
Couture gowns are like gremlins; you can't expose them to bright light or get them wet.
Sure, we had to be skinny. I lived on Diet Coke and apples for two years. For the couture, we had to get up at 4 am to be sewn into the clothes and there was huge pressure to be thin. But I made a million dollars by the time I was 20, I bought a town house in Manhattan and put myself through Columbia. Does that make me a victim?
After I knock out Randy Couture, I'll fight for the heavyweight title, the real heavyweight boxing title in October or November, come back and fight in the UFC in January or February. It doesn't matter, I'm a two sport athlete. The oldest man to ever do that.
I love the 2000s because everyone started to love haute couture.
With Dior Haute Couture, the dream is already there.
A mutt is couture-it's the only one like it in the world, made especially for you.
It's what I call the haute couture, high-end version of fear perfectionism. It's just fear in really good shoes. But it's still fear.
Working for incredible talents like Balenciaga and Antonio Castillo, I learned about the immense skill and creativity involved in couture work.
My work is a fusion of personal experiences and influences - moody atmospheres, victorian-inspired couture, and timeless elements all laced with clandestine symbolism. The figures I paint exist in their own esoteric realm and time, and each painting offers a glimpse into their anomalous world.
I call the language of political figures, pundits and administrators "the haute couture of language."
In prêt-à-porter now we understandably need to make the collection satisfy the big market more, so couture is extra special.
[Riccardo Tisci ] has an interesting approach to weaving the contemporary with the couture, and blending tribes and collections. It always seems to work.
With couture you have faithfulness - people are faithful to you. In couture, you will see that the cut looks like a lace dress from a distance, but it's only when you get nearer you understand that it's layers of lace, hand stitched in a certain shape, all the work - the zips, the buttons, the hooks... it goes on.
In the beginning, to be honest I was super-scared. I turned up and took a step back and said, 'I am here to learn,' and I feel the same today. I've got only to learn from these people because they have been doing couture for 30 or 40 years, so I keep learning every season.
These five years as a couturier have really changed my way of seeing fashion and my confidence with fashion. Couture is a dream.
The couture client wants the latest things, but she wants the clothes to be super-special - the fabrics won't even touch or go near anything like prêt-à-porter.
I believe that couture is not about shocking.
Couture was only for rich people. Givenchy was for rich people. A bag cost 5,000 euro; a coat cost 10,000 euro. In the beginning, I couldn't react. I was just working like a machine, because I wanted to make the house happy.
I love fashion. I love couture. I'm going to erect a shelf in my bedroom with an art light to be the spot for the shoes of the month.
Even during the golden age of fashion, you had haute couture houses where the designers didn't have money.
I don't think couture will die. But it should have no pretension that it will conquer the world. It's not something that will disappear because all you need is a thread and a needle to start making something couture.
I do not believe there has ever been a name as important as Pierre Cardin in the general history of couture.
I have a very haute couture way of working.
Daphne Guinness, who makes couture seem wearable, is an icon who influences what I wear.
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