Some days I'm lucky to squeeze out a page of copy that pleases me, but I get as many as six or seven pages on a very good day; the average is probably three pages.
I own four copies of Robin WIlliams's Live on Broadway comedy special for HBO. One in Wilmington, one in L.A., one in my trailer, and one at my parents' house. I can watch it over and over again and it never gets old. He is the funniest, wittiest man on the planet!
Oh yeah - for sure - hardly a week doesn't go by when I don't hear something wonderful that someone has made in some low-budget situation, primarily with a view to selling a few hundred copies at their concerts.
I don't copy recipes without trying them out. I don't reprint without trying them again.
My songs are like cheap Neil Young copies.
Those thoughts are truth which guide us to beneficial interaction with sensible particulars as they occur, whether they copy these in advance or not.
I look at Jagger and the like and if I see a good attitude I'll admire it but I wouldn't copy their style.
From the age of six I wanted to be an artist. At that point I meant a painter, but it turned out what I really meant was I was someone who was very interested in watching the world and making copies of it.
You can't copy anybody and end with anything. If you copy, it means you're working without any real feeling.
Cloning is great. If God made the original, then making copies should be fine.
There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
Knowledge is what we get when an observer, preferably a scientifically trained observer, provides us with a copy of reality that we can all recognize.
In everything truth surpasses the imitation and copy.
I believe it has been said that one copy of The Times contains more useful information than the whole of the historical works of Thucydides.
I think it'd be a real nightmare to put a record out and sell 20 million copies and then that's it.
I'm not saying that charming, witty and warm copy won't sell. I'm just saying I've seen thousands of charming, witty campaigns that didn't sell.
The only way you can get good, unless you're a genius, is to copy. That's the best thing. Just steal.
When I really young yet feeling very old, I offered up a lot of myself to the press; I knew it was good copy.
Immature poets imitate; mature poets steal.
I was determined to carve out a music of my own. I didn't want to copy anybody.
Matisse makes a drawing, then he makes a copy of it. He copies it five times, ten times, always clarifying the line. He’s convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.
Life is pretty simple: You do some stuff. Most fails. Some works. You do more of what works. If it works big, others quickly copy it. Then you do something else. The trick is the doing something else.
None but blockheads copy each other.
Success is dangerous. One begins to copy oneself, and to copy oneself is more dangerous than to copy others. It leads to sterility.
There have been times when I reread - or at least leafed through - something because I'd sent a copy to a friend, and what usually happened was that I noticed dozens and dozens of clumsy phrases I wished I could rewrite.
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