Society or culture or whatever you might want to call it, has created us all solely and wholly for the purpose of maintaining its continuity and status quo.
If I were asked to name, in one word, the pole star round which the mathematical firmament revolves, the central idea which pervades the whole corpus of mathematical doctrine, I should point to Continuity as contained in our notions of space, and say, it is this, it is this!
He who, calm and clear as the moon, hankers no more for continuity-he is holy.
We insist on permanency, on continuity, when the only continuity possible is in growth, in freedom, in the sense that the dancers are free, barely touching as they pass but partners in the same pattern. The only real security in a relationship lies neither in looking back in nostalgia, nor forward with dread or anticipation, but living in the present and accepting the relationship as it is now.
There's a social and human necessity for some kind of continuity, but it's not axiomatic and not something you're born into; it's something you have to work at. And one of the ways to work at it - perhaps the best - is storytelling: telling stories about yourself to others, telling stories about yourself to yourself, telling stories about others to others.
Continuity was the kind of place where anybody who came into the city from out of town to deliver some work could come over and hang out and we'd go down and have a few drinks.
The signature of a truly enviable woman is the tenacity and continuity of her women friends.
Memory is useful because it gives us a sense of continuity. But memory is also imprisoning because it conditions us in predictable ways.
These firecrackers outside and these lights outside cannot make you rejoice. They are only for children; for you, they are just a nuisance. But in your inner world there can be a continuity of lights, songs, joys. Always remember that society compensates you when it feels that the repressed may explode into a dangerous situation if it is not compensated. Society finds some way of allowing you to let out the repressed. But this is not true celebration, and it cannot be true.
My favorite thing in moviemaking is to shoot in chronological order if at all possible, because it just helps for continuity and all the logistical purposes. It also helps with performance and the journey of each character, but I also think it's good for the director and everyone [else] involved.
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