The title [of the album 'The Big Revival']alone fit what I was feeling. It defined what I was going through. That year off was a time to revive, to reset, to reclaim, to revitalize and to re-focus. It was a revival of how I made music, how I presented it and my connection with the fans.
There is a connection between energy, climate, food and political stability. That has played out in the Arab awakening and is not done playing out.
Given how we know Russia feels about the State Department, seeing what`s happening to the State Department under this current [Donald Trump] administration is worrying and raises all sorts of questions about the connections between this current administration and Russia.
News about the Russia connections to the [Donald Trump] administration and what we are continuing to learn about those connections. What`s getting to be, I think, particularly unsettling is that simultaneously we are right now what`s going on, I think, is that we are number one nailing down more direct connections between the Trump campaign and the Russian government at the time the Russian government was influencing our election.
We`ve got [evidence] of direct Russian government connections with the [Donald] Trump campaign, during the campaign, while the Russian government was interfering in our election to try to elect Trump.
Donald Trump has made an incredible connection with everyday Americans.
People in America get really angry at the Federal Reserve and at the "money system" in general during economic crises. The Fed draws hostility because of its power, its insulation from democratic accountability, its lack of transparency, and because of its historical and structural connections to finance.
My main concern is making the connection with my listeners and making records that the whole world can sing. That's what makes me happy.
Anyone who studies the energy predicament understands its connection with the operations of capital - and by this I do not mean capitalism as an ideology, I mean the behavior of acquired wealth and its deployment for productive purpose. (A lot of educated idiots don't understand this, and we waste a lot of time blathering about capitalism.)
[My mother] told me a little bit about the scene out there and I think, as a small child, I just always felt a connection to that history because my mother had described it to me.
Connection to the music and the history was very powerful to me. I think that's what I feel the most blessed about.
Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.
On the one hand information is moving quick or the way in which people consume information is changing so fast. Clearly this worked for [Donald Trump], and it gives him a direct connection to a lot of the people that voted for him.
I grew up as a Roman Catholic, and as a very young boy I felt the presence of divinity in my life through the experiences that I had in connection with the Catholic church.
I think there is, not in the sense that I enjoy it, but that it's an important question. It's the question, "Does the presence of pain mean God doesn't care? Does God not love me anymore?" I think that's a very common connection we tend to make. I see that a lot in my own life and in the lives of others.
We have the ability to make the connection, make the time to pray and meditate. We have to find our inner voice that will guide us. But we can only find it if we get quiet.
The theatre for me is much more satisfying as an actor because you are working in front of a living, breathing, throbbing, gasping, laughing and hopefully applauding audience. And the immediate connection you get with that audience is very satisfying.
I certainly think we're losing a lot of our connections with other people. I fear in my most pessimistic moments that the computer is simply another step down the road which we have already taken quite a few steps on. We're talking to each other on computers because we don't talk across the fence.
What interested me most about the Kennedys was the family situation. Somehow, they had created this family that lasted over time, they had a sense of connection to one another. Especially now, when people are spread all over the country and they don't see grandparents and parents, this family bonded together.
If I write a paragraph and I don't get a certain lift from it, if I don't feel connected to it emotionally, then it's dead to me. When I'm reading other fiction writers, if I don't get any emotional investment from the writer, if it's just intellectual or clever - you know, most writing that passes as deep is just clever - I don't feel any connection.
I try to tell a story when I'm playing. I try to make an emotional connection when I'm playing versus before I played just to play. Now there's a sense of purpose of why I play, of how I play. So people can actually feel what I'm saying to them.
When I had dinner with a friend or a loved one and one of you pays for the check and the other says, "I owe you next time." I like to think that we're eternally even - that they don't owe me anything or I don't owe them anything if you have a connection with somebody or a love with somebody. I like to think that there's no debt to pay. You love each other and you're happy to pay for dinner every time.
We need saints; we need this head - this talking head - to communicate. Every single religion you have people that go in-between, that can talk to god or communicate ideas. Then there are the talking heads in the news every time we watch TV. No matter how complex, you still need a person there to tell you what happened: a storyteller of sorts. I find that fascinating that we feel so attached to this primitive mode of connection, this primitive interface to the world.
I think having not only personal connections with friends and family I'm able to pull from, but having a connection with so many people through social media, it also feels like I have a relationship with those people that follow me. And feel that what I'm going through, they've gone through something similar, and that's why we've connected. And they're the ones that make it into that body of work that represents them or that time in their life, because we've found each other.
There's a real connection between the history of print in Europe and nationalism, and how those two things could be formed. I think they may both now be ending, for good and bad, but I think mainly for good. Either globalism was supposed to make people all realize this is one big business going on and we should know what's going on everywhere, or it makes people say, "I don't want to become part of this thing. I want to be incredibly different from you and I want to uphold my local behavior." Dress a certain way.
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