All I had was the will and the love for music. I couldn't read music or write it. No connections, no car, no money, no bankroll, no clothes, no nothing.
My father taught me how to be a parent and gave me a positive connection with men because he is a gentleman.
I found myself in a pattern of being attracted to people who were somehow unavailable, and what I realized was that I was protecting myself because I equate the idea of connection and love with trauma and death.
I don't make a list of questions. Ever. I think a lot of my interviews are driven by my need to feel connection.
I am trying to make some kind of connection to what is going on in the world, to make some sort of contact. And I use the instruments that our modern world offers, these extraordinary instruments of photography and film and computers.
Building new connections is a critical part of building a new economy. The American education system, as flawed as it is, is great for the creative class because of the way it mixes up networks.
I learned that money's not happiness. The more famous I am and the more money I make, the closer I stay to my family and friends that I've known since junior high school. True happiness to me is the connection with fellow human beings I've known for a long time.
When I photograph, I am always relating things to one another. Photography shows the connection between things, how they relate.
Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated.
Childhood has been idealised as a lost garden paradise to which we can never return. We are excluded from this world of carelessness, innocence and unity. But the imaginary kingdom is nothing more than a projection of adult ideas and concerns onto the image, an expression of our own yearnings. By photographing children alone, divorced from any social setting, I allow them to exist on their own...I am exploring the equivocal connection between self and world.
At the end of the day, photography is ninety-nine percent business, connections, and politics and one percent creativity.
For me, making a photograph is mostly an intellectual process of understanding people or cities and their historical and phenomenological connections. At that point the photo is almost made, and all that remains is the mechanical process.
By making a soul connection, your true purpose in life will become the foundation of everything you do.
The beginning of prayer is silence. If we really want to pray we must first learn to listen, for in the silence of the heart God speaks. And to be able to see that silence, to be able to hear God we need a clean heart; for a clean heart can see God, can hear God, can listen to God; and then only from the fullness of our heart can we speak to God. But we cannot speak unless we have listened, unless we have made that connection with God in the silence of our heart.
When I joined Nirvana, I was the fifth or sixth drummer - I don't know if they'd ever had a drummer they were totally happy with. And they were strangers. There was never much of a deeper connection outside of the music.
Any CEO who cannot clearly articulate the intangible assets of his brand and understand its connection to customers, is in trouble.
Conservatives tend to believe there is a close and necessary connection between prosperity and freedom - that economic freedom is an essential part of human freedom.
All my main characters are people I'd love to sit around having coffee with. They are people who will tell you honestly about the things that scare them and worry them and trouble them. Because those moments of connection between women-when they really decide to be honest with each other about their lives-are some of the best things in life.
The one thing that keeps us out of connection is our fear that we're not worthy of connection.
Very few of us trust our immediate connection with nature, or the intuitive intelligence of our body. All too easily, we align ourselves with the logical world of Masculine intelligence. As a culture, we have become so Masculine that we are much more comfortable with analytical problem-solving than with ecstatic dancing!
I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.
Well, I loved singing in the chorus, and there was some connection for me between gospel and choral music.
One can be a faithful disciple of Jesus Christ without denying the flickers of the sacred in followers of Yahweh, or Kali, or Krishna. A globalization of evangelism 'in connection' with others, and a globally 'in-formed' gospel, is capable of talking across the fence with Hindu, Buddhist, Sikh, Muslim - people from other so called 'new' religious traditions ('new' only to us) - without assumption of superiority and power
My wife Jennifer's family is all from there. Jennifer grew up there, so we have personal ties forever - her mom, dad, her brother, her twin brother - so, there's certainly a personal connection there that will also be there. Also, even though I grew up in Omaha, I feel like I really grew up in Milwaukee.
Yeah it's completely different, it's matured tenfold. We wrote the first album over five years as teenagers but now we've got the opportunity to do InMe full-time. We've got closer together, we've got a better connection.
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