Michael Sunday and I are the original members of the band. We first did it just for charities and benefit concerts. It was very ad-hoc, and before we knew it, we were really a band. We went through several drummers and guitarists before we were happy with the line up.
Because of the wealth of fine music spread through the film, working on it held all the fun and excitement of attending a great concert
I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.
It's the whole Nietzche philosophy of you are your own God. That's why I debase myself in the concerts and tell people to spit on me. I'm saying to them 'You are no different from me'.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
It takes generosity to discover the whole through others. If you realize you are only a violin, you can open yourself up to the world by playing your role in the concert.
I really enjoy what I do, and who I'm with and where I am. Having said that, I'm not really a person of habit, because what I do in my job is travel around the world and play concerts to people, and occasionally do very weird things.
When preparing for a concert, I do lots of training. I work with a choreographer to create great moves and then I have to keep my voice strong with lessons.
My parents told me I would become a doctor and then in my spare time I would become a concert pianist. So, both my day job and my spare time were sort of taken care of.
Nobody notices me. Nobody thinks I'm me. But then I look less like me than most of the people coming to our concerts.
Being famous gets me good concert tickets, good tables in restaurants, good seats at sporting events and that's really about it.
A concert is a concert is a concert is a concert. An album is an album is an album is an album. Musically, both have nothing in common.
Instinct taught me 20 years ago to pace a song or a concert performance. That translates into pacing a story, pleasing a reading audience.
Do you know how many concerts I've done in my whole life, in more than 35 years of performing? Sixty-four.
To come to a concert and hear a lot of songs from a female perspective should not make men say, 'Oh well, that's for women'.
I had a number of very strong personalities in my family. My father was a concert flutist, the solo flute for Toscanini.
I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s.
You can't be pregnant in leotards, and this is the last chance for us to get our bodies into the shape of concert dancers and capture it with the magic of film.
So okay, I accepted, and I realized while working for that concert that I'd been missing something very important and vital to me, and that something was music.
I was a tough kid with the jeans, the concert shirt with the flannel over it, the comb in the back pocket and the feathered hair.
Politics in a literary work, is like a gun shot in the middle of a concert, something vulgar, and however, something which is impossible to ignore.
Country fans need to support country music by buying albums and concert tickets for traditional artists or the music will just fade away. And that would be really sad.
Because I don't take money, I'll go anywhere and do a benefit concert with almost any orchestra.
My job in this life is to give people spiritual ecstasy through music. In my concerts people cry, laugh, dance. If they climaxed spiritually, I did my job. I did it decently and honestly.
The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox.
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