And if I ever DO see [Kenny G] anywhere, at any function - he WILL get a piece of my mind, and maybe a guitar wrapped around his head.
The whole problem can be stated quite simply by asking "Is there a meaning to music?" My answer would be, "Yes", And "Can you state in so many words what the meaning is?" My answer to that would be "No."
Music is enough for a lifetime - but a lifetime is not enough for music.
A supreme composer can only come out of a musical nation.
I dare suggest that the composer would do himself and his music an immediate and eventual service by total, resolute and voluntary withdrawal from this public world to one of private performance and electronic media.
People whose sensibility is destroyed by music in trains, airports, lifts, cannot concentrate on a Beethoven Quartet.
I don't know anything about music. In my line you don't have to.
We are God’s gift to each other. Like a master composer, He brings all the instruments together, each with a different tone, each playing a different part, and He makes it turn out so beautifully.
I don't ascribe to the idea of the ivory tower composer who sits alone in a room composing his masterpieces and then comes down from Mount Sinai with the tablets. It doesn't work like that. The job of a composer is putting something down on a piece of paper that will inspire the person who's playing.
Composers need words, but they do not necessarily need poetry. The Russian composer, Aleksandr Mossolov, who chose texts from newspaper small ads, had a good point to make. With revolutionary music, any text can be set to work.
In simple hearts the feeling for the beauty and grandeur of nature is a hundred-fold stronger and more vivid than in us, ecstatic composers of narratives in words and on paper.
The modern composer is a madman who persists in manufacturing an article which nobody wants.
Bruce Katz is a spectacular talent! He's a brilliant composer and arranger who uses uncommon and unique musical intelligence to redefine jazz and blues far beyond the pale of the accepted definitions of keyboard competence. Whether on piano or organ, when you hear Bruce Katz you know it's him, unmistakably and uniquely.
Claude Debussy was a rare phenomenon a composer profoundly and subversively revolutionary.
Lesser artists borrow, great artists steal.
When people listen to my music, I hope that they will notice that if you take a piece by a composer like Schubert, the major and the minor triad is an extermely important thing not merely as harmony, but in creating melodic lines. Schubert is always walking up and down with arpeggios on C, E, G and so forth. I am not doing anything different really, except using a different system of harmony.
The composer does not want the self-sufficiency of a richly complex text: he or she wants to feel that the text is something in need of musical setting.
I think it's really the job of the composer, the artist, the painter, the writer to present people with options. I'm just really reflecting the thoughts and actions around me.
Never look at the trombones, it only encourages them.
There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music I speak of tonight is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That sweet sound of love.
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
Music is a higher revelation than all wisdom and philosophy.
Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
It is cruel, you know, that music should be so beautiful.
Every bit of theorizing I've ever done, including my interest in Berg, has come as a consequence of discoveries I made as a composer and interests that I developed as a composer. I never thought of my theory as being a kind of irrelevant activity to my composing.
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