Collaboration Quotes - Page 18

• I learned that a television show is not a collaboration. You give your 180 percent, but you do not question the show-runners. I remember doing a reading, and my part was kind of small that week, and I commented on it, and the next week, they cut me out of the show. So I learned that you never ask questions. In TV, you always assume you're going to be fired.

  Illeana Douglas

  Reading, Cutting, Giving

  Source: www.avclub.com

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• It's always a bit risky, when you put yourself out there with somebody in a collaboration, but I think we learn things every single time, and we come out of it with a new perspective on writing because everyone's process is different. Unfortunately we don't always get to spend time in the studio with those artists - oftentimes it's just sending files online. But both can be liberating and productive in their own way. Some of the best collaborations happen when you're all in a room together.

  Yukimi Nagano

  Writing, Artist, Thinking

  Source: nyc.brightestyoungthings.com

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• I've done a bunch of collaborations where it goes well and you finish it, but then you're kind of like, "I just don't like it." And it sits there. It can be awkward, but a real musician understands that you're not always going to make what you want it to be. You can't just polish everything into perfection.

  Nick Murphy

  Real, Perfection, Awkward

  Source: www.interviewmagazine.com

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• I like being connected to young people, or younger people who are trying to figure out the language of film, bringing theorists from the dawn of the art in the 20th century. There is a way you find a synthesis. You read texts by the Soviets who are discussing montage, and you have students figuring out how to put scenes together and tell stories visually. The theory becomes relevant in daily practice. It's free labor, which is pretty cool too. I think we all learn from each other and benefit from the collaborations.

  Matthew Porterfield

  Art, Thinking, People

  Source: www.interviewmagazine.com

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• A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.

  Yukimi Nagano

  Thinking, People, Creative

  Source: www.interviewmagazine.com

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• The most important thing to remember is that the composer is a senior partner. You cannot force a subject on a composer if it doesn't inspire him. He has to take the lead, you are an enabler, and you are creating the enabling conditions under which he can write great music. Your words are secondary. Many librettists in opera collaborations in the past have forgotten this, or not known it, or refuse to accept it and tried to get out in front of the creative process and it just doesn't work that way.

  Terry Teachout

  Senior, Writing, Past

  Source: bigthink.com

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• I write almost everything on my albums, all the hooks etc, but I can't sing them as I hear them in my head. I would struggle to write for just my own voice as it would be pretty limiting on what my tracks are capable of sounding like, so being open to collaboration is crucial for what I do.

  Illy

  Struggle, Writing, Track

  Source: acclaimmag.com

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• You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.

  Finn Wittrock

  Believe, Giving, Trying

  Source: www.interviewmagazine.com

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• Collaboration is everything from getting along with others to controlling your impulses so you can get along and not kick someone else off the swing. It's building a community and experiencing diversity and culture. Everything we do, in the classroom or at home, has to be built on that foundation.

  Kathy Hirsh-Pasek

  Home, Diversity, Community

  Source: www.wbur.org

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• My hope is that design thinking becomes an innovative discipline and not just the trend of the decade. As a nation and globally, we have some of the biggest problems to solve we have ever faced. We need innovative ways to solve our problems and communicating the solutions will be paramount. Original thinking, complex problem solving, and collaboration are all important skills for our future.

  Nancy Duarte

  Thinking, Discipline, Design

  Source: bobmorris.biz

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• I would struggle to write for just my own voice as it would be pretty limiting on what my tracks are capable of sounding like, so being open to collaboration is crucial for what I do. The best thing is simple: just getting the finished version of a track that sounds incredible, from when it was just a melody in my head. Seeing that executed is sick. There's not really too much downside as I write by myself so I'm only sharing the part I'm comfortable sharing. It's all good.

  Illy

  Struggle, Writing, Simple

  Source: acclaimmag.com

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• Unfortunately it's hard for me to be a fanboy for anything these days just because I see so much music. And it's not a namedropping thing, but there's just not that many people in this certain small little genre world we live in that I don't know or am not acquainted with. And I like them all; I get along with pretty much everyone. It wouldn't be unusual to see a thousand collaborations at some point.

  Bradford Cox

  People, World, Unusual

  Source: pitchfork.com

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• I found collaboration to be a terrible thing in Hollywood because there are so many people involved you have to make a thousand little compromises to every project and every single scene is a committee decision. It's maddening. But with comics you've got an artist and you've got a writer.

  Benjamin Percy

  Artist, People, Decision

  Source: therumpus.net

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• I think we, as a fasion industry, need to hold people accountable for their actions. I want people to realize that models have a voice, and a powerful one at that. I want all models to be treated with more respect because that's what we all want - basic respect and to not be treated like objects with no will. I hope that models can be more empowered to say 'no' or give their opinion without being labeled as difficult. Modeling should be a collaboration. If the makeup artist, photographer and stylist all contribute, why can't models?

  Sara Sampaio

  Powerful, Makeup, Thinking

  Source: www.glamour.com

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• I think there's something in collaboration - the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people... The act of collaboration, where you can talk to someone, hang out, get ideas going, there is something in that. That's similar between everyone. But I think every individual collaborator is different, because they have different brains and emotions and ways of working, so it changes. Definitely.

  Darren Aronofsky

  Thinking, People, Brain

  Source: film.avclub.com

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• When you're working with other artists, it's often a mix of your ideas with somebody else's, which can be extremely fruitful. But then it's also interesting to present the completely undiluted vision of what I imagine music could be. I care about both my own music and collaboration equally, and I pretty much split my time equally, as well.

  Sophie

  Artist, Interesting, Vision

  Source: www.interviewmagazine.com

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• I get so much energy and I learn so much through collaborating with other people. Ultimately, I think the best music will always be created through collaborations - pooling together skills to create something bigger than any individual. I like to use my own SOPHIE material to present ideas in their most extreme, un-compromised form. I really use those opportunities to express exactly where I'm at in terms of production and writing ideas, as a document of my thoughts and feelings, as well.

  Sophie

  Writing, Thinking, Opportunity

  Source: www.interviewmagazine.com

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• Confidence is not just in people's heads; it comes from the culture of the organization. It's easier to expect success when working in an organization that has a culture of accountability, collaboration, and initiative. Without this, it's easier - and more self-protective - to assume failure so the person is not disappointed and instead pleasantly surprised.

  Rosabeth Moss Kanter

  Accountability, Culture, Assuming

  Source: bobmorris.biz

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• When you are living with the exhortation or live-with "Be in the World But Not of It," you experience your connection with all and the possibility of co-creativity and collaboration with those around you. You see an oneness in the world as opposed to warfare, even with those who are your enemies. You are not of the world of conflict, even though you have the strength to deal with it and turn it around. You have compassion in the sense of seeing the highest in yourself and then seeing that in others.

  Michael Ray

  Compassion, Enemy, World

  Source: bobmorris.biz

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• Testosterone is the hormone of collaboration and competition that, whenever we compete on a team, we collaborate with our teammates. And most of us in our daily life, to the extent that we have to compete with the rat race in the world out there, we're collaborating with other people at the same time. The two are hand in hand.

  Po Bronson

  Team, People, Competition

  Source: www.pbs.org

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• We're at a time now where there's a lot more "I'll do whatever it takes" attitude. I'm not going to say or do what you want me to say or do just because it might help me or be the politically correct thing to do to help my career. And that may have hurt me sometimes. I think about different collaborations that have been brought my way - it might have meant I'd get to be on TV to do certain things, but I've said, "No. It doesn't make sense. I'm not doing it." And other people might jump at the opportunity.

  Kip Moore

  Hurt, Attitude, Opportunity

  Source: people.com

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• I still haven't quite gauged the effects of featuring designers on my blog and on Dazed. I can only rely on what people feed back to me ... the effects are positive though - designers picking up more buyers, entering into new collaborations, getting more orders.... it's all really, really encouraging.

  Susanna Lau

  People, Designer, Dazed

  Source: www.interviewmagazine.com

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• I'm not a designer, I'm a creator. To me, it's always been about collaboration, I've never studied styling or fashion. As far as I'm concerned, it boils down to common sense: have fun, more importantly have fun with your friends and keep a global view on what you're doing.

  Nicola Formichetti

  Fashion, Fun, Common Sense

  Source: www.interviewmagazine.com

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• The industries closest to Google - media, advertising, and entertainment - are affected first. But the avalanche that is Google and the internet will overtake all industries and institutions - carmakers, bankers, universities, government - as we undergo a fundamental restructuring of the economy and society. Every industry and institution would be wise to understand the need for handing over control, for transparency, for collaboration and speed.

  Jeff Jarvis

  Wise, Google, Advertising

  Source: www.thedailybeast.com

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• With a film you go with the script that's already written. And I've never thought of a project, a film that would come from my own desire. I don't think I can do it. I need someone else's desire to be able to do something. With a record, it is completely different, it's a collaboration with another artist, but I'm willing to go into intimate places with no masks on.

  Charlotte Gainsbourg

  Artist, Thinking, Desire

  Source: film.avclub.com

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