In the long history of humankind (and animal kind, too) those who learned to collaborate and improvise most effectively have prevailed.
It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
Unity is strength... when there is teamwork and collaboration, wonderful things can be achieved.
The acting experience and the collaborating and creating the world, working on the piece, they're the same joys.
As the workplace becomes more specialized, from offices to medical centers to factories, teams of people must accomplish their work by collaborating with each other. In my work in filmmaking, we need talented individuals with technical skills, but their abilities to communicate and work with others are just as valuable.
How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance amid surprises, of collaborating with chance, of recognizing that there are some essential mysteries in the world and thereby a limit to calculation, to plan, to control. To calculate on the unforeseen is perhaps exactly the paradoxical operation that life most requires of us.
I'm no good at anything but comedy, which I think I'm good at. I'm absolutely no good at networking; I'm terrible at acting; I'm terrible at dealing with executives; I'm terrible at collaborating. And I say whatever I want to say. But I think I'm good enough at comedy that I can survive. And I don't really have an ambition for money.
That's the nice thing about collaborating with someone: Your work becomes a conversation.
I love collaborating with strong women.
I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public - that a new art for cities has become real.
I always need a support team, even at Donna Karan. I like collaborating. There is something in collaboration that is wonderful.
I just enjoy collaborating. I think there is always something to be learned, and I think that one could never collaborate enough - that would be impossible. So I am always excited and honored when someone wants to work with me.
I was at the forefront of the effort to pass $15 minimum wage in Seattle, and have been collaborating with the people who are trying to make that happen across the country.
I'm always interested in collaborating with designers. I love Gaultier. I know that's kind of a high hope!
I enjoy collaborating with other people.
I'm just looking forward to doing these videos with AXE. Doing more directing, collaborating with them, finding ways to kind of like tap into temptation with their market and their audience and mine and find cool, creative ways to get the brand out to people. And I think they're doing a really, really good job. So we've got some cool stuff coming up.
The fun part about collaborating is that you naturally just bounce off each other's energy and learn off each other.
I’m honored that PBteen has seen me as someone who can help a broader audience understand the need to use recycled, repurposed and organic materials. Global conservation is a focal point of the capsule collection and it falls right in line with the change and direction I’m working towards, on a professional and personal basis. In collaborating with PBteen, we are creating a subtle and natural feel with this collection - something that has an authentic appeal for teens and their parents alike.
The challenge is the same whether or not I'm collaborating: to empathize with your reader and to tell a story that will matter to him or her. But the mechanics of going about that challenge change when you're collaborating, because you have someone to help refine your thinking and expand your vision of what might happen.
If I'm collaborating with an artist I like to give them my point of view and if they don't want to take any of my recommendations it's fine, but it's hard otherwise.
I work from the body - I try to develop a language of the body. I've invented a term I call "corporeal writing" around that idea. I love teaching and collaborating around this idea, because no new breakthrough in literature ever happened because everyone was doing what was already there.
I wonder whether I might have meant "terrify us" but perhaps as well there was a less than conscious effort to show that the suppression of debate about Palestine and about the Boycott, Divestment, and Sanctions movement - within many academic circles - does seek to establish those who would address such issues in speech as already collaborating with "terrorist" regimes, although now only Hamas is officially terrorist according to the US government and its allies.
Dance is so fascinating and I like collaborating with people a lot.
Sometimes a story idea will come to me, and suddenly I've figured out the whole thing, and I feel like I'm collaborating with something other than myself.
In the creative sense, I'm looking forward to collaborating with people I have mutual respect for to create some really good work.
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