A cat you train with clicker training and what you've got to do is pair the click with a food reward. And he's doing the stuff because you get a food reward. Once you can do it all after a lot training with no food reward.
The link between Vreeland and Guggenheim is their mutual sense of reinvention and transformation. That made something click inside of me as I too reinvented myself when I began writing the book on Diana Vreeland .
I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."
Those are the magical songwriting moments, when you have a partner that clicks like that. That's a dream come true, man.
I wish more of the web had stayed nonprofit. But the advertising model took over and I think has delivered us to where we are, along with the development of content, which is designed to do nothing else but make you click on it or share it. And I think it's kind of a low goal for content, and I think that's taken us to our current abyss.
When you think about normal advertising, it's just like, hey, here's a car and, you know, we don't know if you're looking for a car or not. So Google promised that mental state, and then were able to prove that delivering the message at the exact right moment would make someone click on something. So they pioneered the idea that advertising could be profitable on the internet, that a specific, very micromental state could be targeted. And they established the primacy of the click, which has haunted us ever since.
I believe when you meet the right person it clicks, and you both know and you start making it work, you know?
The Internet is such a tough marketplace because everyone is a click away from going back to a cat photo, or going back to whatever else they were doing. You have to win them over, and do it quickly, and do it by making something people actually want.
Statistics do not convey emotion. They shock us for a minute or two, and then we click again.
(Man, I wish life had emoticons, you know? So that when your dad pisses you off you could like click a mental button or something and just show him one of those rolleyes. That would rock) Anyway.
You can't click through a book, you can't hyperlink and jump out of it. It requires a little bit more of a regular engagement.
...they were exactly what the other needed; the missing piece that made everything else magically click into place.
It's sort of like a reminder [click my teeth together] to remember it, but I don't think it works. I have terrible memory and really bad teeth as a result.
I click my teeth together every time I want to take a mental picture of something, like, "Wow, what a beautiful sunset!" Slam your teeth together.
What I find amazing is how sometimes ideas will just click, seemingly without effort.
The issues for journalism and journalists, we see obvious places where presentation is very different in a digital space from traditional print. If you go to a New York Times homepage, you cannot get to a story about the Ukraine without a click-off on a banner ad or a slide show. They're not alone in that - you think you're clicking on a video about a news event and you have a 30-second ad that you have to watch before you can get to it.
Every time you click on a like button on another site, you've told Facebook that you're doing that. And so therefore advertisers know who their fan base is.
Run a test. Give a 5-year-old a printed book and an iPad and see what happens. That 5-year-old is going to go right for the iPad. They're not intimidated by it. They know what to do with it. They'll start searching around. And in a children's e-book, you can have links to kid-safe encyclopedia. So if they click on the lion, it takes them to Africa and tells them all about lions. So now, the e-book is educational.
Encountering rhyme out of the blue is like finding a long-lost twin (fraternal), or a suitcase that closes with a particularly satisfying click.
We live in a society right now which is the last phase of the ecosystem in terms of the old entertainment value, or the old entertainment construction, which is we've gone down to this instant gratification, instant numbers, instant understanding, instant. But it's like the exact - it has perfected itself to the instant click, when, in a way, creativity originates as a much more complex beast. So we now have to reinvent a new canvas where we can indulge in it. And that's where the digital revolution creates a whole new ecosystem of entertainment.
I hope that's how it is on every set - or that Teen Wolf goes on forever! Our cast is so honest with each other. There's no drama. There's no judgment. We just click. It's like a family.
We are taught to reinvent ourselves all the time. And nature is teaching us. What is necessary for us to do to create sustainability? There's a shift that has to take hold in our thinking, and it's hard to know when it's going to click for the larger percentage of us.
When you're sitting down and you're blocked and you just start writing and something in your mind just clicks, you start seeing connections and so on, you really do feel like you're channeling something else.
I've never been the sort of person to walk into a room and have *clicks fingers* 50 women want to sleep with me, ok, and suddenly you walk across a stage and you have a video clip and you know girls want to go out with you and think you're beautiful!
I'd just love magic. I'd love to be able to just click and transport. I'd be like a fairy little godmother, I think, going round hearing what people wish for and seeing what I could do for them.
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