Classic Quotes - Page 40

• Under Armour is new, aggressive, slick, classic but athletic - kind of how I always wanted to be perceived.

  Jordan Spieth

  Athletic, Kind, Under Armour

  "Biography / Personal Quotes". www.imdb.com.

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• I love seeing somebody act real earnest and serious, like Jackie Gleason. He makes me laugh because he reflects back to me my own serious-mindedness and how ridiculous it all is. It's always easier to see somebody else in that position than yourself, and you laugh. It's like the classic slipping on the banana peel, or someone getting hit by a pie in the face. Why do those things make us laugh? Is it from relief, like: Thank God it wasn't me? Or is it something else: I'm being very serious now. I'm pontificating earnestly and solemnly about-POW! PIE IN THE FACE! The bust-up of certainty.

  Jeff Bridges

  Real, Pie, Laughing

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• I'm sure if Shakespeare were alive today, he'd be doing classic guitar solos on YouTube.

  Peter Capaldi

  Guitar, Live For Today, Alive

  "My week" by Peter Capaldi, www.theguardian.com. December 30, 2006.

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• My favorite composers are the ones that tell the story. I love Wagner. I love Mahler. Prokofiev. The programmatic music. I listen more to classic rock because I don't like the contemporary music very much.

  Patti LuPone

  Rocks, Stories, Mahler

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• Horror movies scare me. I don't really watch them. I'm not a big horror genre fan. I like certain classic horror - like 'Alien', 'Jaws', 'The Exorcist', stuff like that.

  Katharine Isabelle

  Horror Genre, Scare, Fans

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• The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is classic white canvas expanded into three-dimensional space.

  Gunter Brus

  White, Space, Three

  "Nervous Stillness on the Horizon". Book editing by Monika Faber, 2005.

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• Prose is an art form, movies and acting in general are art forms, so is music, painting, graphics, sculpture, and so on. Some might even consider classic games like chess to be an art form. Video games use elements of all of these to create something new. Why wouldn't video games be an art form?

  Sam Lake

  Art, Games, Acting

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• The act of seeing any film generally is you knowing more than the characters, even if its the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations.

  Richard Ayoade

  Character, Talking, Two

  Interview with Sam Adams, www.avclub.com. June 3, 2011.

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• You really can't do a remake. I mean, 'King Kong' needed its turn to be remade. It needed an update. But the 'Bad News Bears,' or 'The Shaggy D.A.,' those are classic movies. I think they did a good job of remaking them, but it's just not the same thing. Nobody can top Tatum O'Neal. It just isn't the same.

  Carly Schroeder

  Kings, Jobs, Mean

  "EXCLUSIVE: Carly Schroeder Kicks the Winning Goal in Gracie" by B.Alan Orange, movieweb.com. May 29, 2007.

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• I like What Goes Around Comes Around for old concert tees. Oh man, I got this 'Sgt. Pepper' cartoon Beatles shirt there; it was, like, $300. I didn't even know how much it cost - I thought it was gonna be, like, $80 at most - till I got to the register and was like, 'Oh mah gawd!' Good Lord. But it's classic vintage rock, you know?

  Kid Cudi

  Men, Sgt Pepper, Rocks

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• Many books on communication are strong on theory but impractical on application. Marshall Rosenberg's instant classic is the stand-out exception. It is clear and compelling in its logic and flat-out inspiring in its inviting exposition of usable techniques and strategies. If this book is read by enough people, the world will transform.

  Hugh Prather

  Strong, Book, Communication

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• The liberty I mean is social freedom. It is that state of things in which liberty is secured by the equality of restraint. A constitution of things in which the liberty of no one man, and no body of men, and no number of men, can find means to trespass on the liberty of any person, or any description of persons, in the society. This kind of liberty is, indeed, but another name for justice.

  Edmund Burke

  Philosophy, Mean, Men

  Edmund Burke (1999). “The Portable Edmund Burke”, p.503, Penguin

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• Benefit to the community precedes benefit to the individual.

  Adolf Hitler

  Philosophy, Community, Political

  "Nazi Economics: Ideology, Theory, and Poli". Book by Avraham Barkai, pp. 26–27, 1990.

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• I want everyone to keep the property that he has acquired for himself according to the principle: benefit to the community precedes benefit to the individual. But the state should retain supervision and each property owner should consider himself appointed by the state. It is his duty not to use his property against the interests of others among his own people. This is the crucial matter. The Third Reich will always retain its right to control the owners of property.

  Adolf Hitler

  Philosophy, People, Community

  "Nazi Economics: Ideology, Theory, and Policy". Book by Avraham Barkai, pp. 26-27, 1990.

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• It is impossible that the intention of the entrepreneur who has borrowed in order to increase investment can become effective (except in substitution for investment by other entrepreneurs which would have occurred otherwise) at a faster rate than the public decide to increase their savings

  John Maynard Keynes

  Philosophy, Order, Entrepreneur

  John Maynard Keynes (2006). “General Theory Of Employment , Interest And Money”, p.75, Atlantic Publishers & Dist

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• If one individual, or one class, can call in the aid of authority to ward off the effects of competition, it acquires a privilege and at the cost of the whole community; it can make sure of profits not altogether due to the productive services rendered, but composed in part of an actual tax upon consumers for its private profit' which tax it commonly shares with the authority that thus unjustly lent its support.

  Jean-Baptiste Say

  Philosophy, Class, Support

  Jean Baptiste Say (1827). “A treatise on political economy: or, The production, distribution and consumption of wealth”, p.91

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• The blind spot for the in the Southern Progressive Movement - as for that matter in the national [progressive] movement - was the Negro, for the whole movement in the South coincided paradoxically with the crest of the wave of racism. Still more important to the association of the two movements was the fact that their leaders were often identical. In fact, the typical Progressive reformer rode to power in the South on a disenfranchising or white-supremacy movement.

  C. Vann Woodward

  Philosophy, Two, Blind Spots

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• We just forced them into tough shots that whole overtime. It was a classic five minutes that we needed.

  Stephen Curry

  Nba Finals, Tough, Shots

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• If you really dissect hip-hop you will find a whole lot of Charles Mingus, Ron Carter, Ahmad Jamal, a lot of classic jazz samples in there.

  Robert Glasper

  Hip Hop, Hips, Jazz

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• Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.

  Cornel West

  Powerful, Book, Class

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• Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.

  Michael Eric Dyson

  Race, Creative, Orbit

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• I am a fan of movies and there is something about watching film that is burned into celluloid for all time that is now a piece of history. You go watch, being a fan of classic films and my children and their children are going to be watching these movies.

  Edward Zwick

  Children, Fans, Watches

  Source: movieweb.com

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• I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative... And for me, when I'm making music, it's all in my head, and all those influences in my head. So if something comes to me that's a reference from a different genre then people are used to hearing from me, I'm not afraid to go there with it.

  John Legend

  People, Hip Hop, Soul

  "R&B Artist John Legend: 'Once Again'". "News & Notes" with Farai Chideya, www.npr.org. November 20, 2006.

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• To be appreciated by a whole 'nother generation of fans, all of a sudden discovering you, it's kind of what I did with the classic bands I love - the ones that influenced me.

  Scott Weiland

  Fans, Generations, Band

  "Stone Temple pilots reunite to continue 'legacy', thanks to Scott Weiland's wife" by Chris Harris, www.mtv.com. April 8, 2008.

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• Everybody thinks that 2-D is Damon, but none of the characters are based on any of us. 2-D is the classic stupid pretty boy singer. He's the fall guy, the stooge. Everyone takes the piss out of him. He had a car accident where he went through the windscreen and ended up with two bumps on his head. It knocked some cool into him

  Jamie Hewlett

  Stupid, Fall, Character

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