I am really not interested in the cinema. I loathed it when I started six years ago, and I don't enjoy it even now.
If I'm in theatre, cinema doesn't even cross my mind. Similarly when I'm making a film, theatre doesn't cross my mind.
We have a partnership deal with New Line Records, which is part of New Line Cinema, and... I worked on that.
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
I come from an everyday middle class family in India. The film industry reached us only through our television sets and cinema halls.
I care about cinema even though I haven't made many films.
What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
There's no such thing as simple. Simple is hard.
I rather think the cinema will die. Look at the energy being exerted to revive it - yesterday it was color, today three dimensions. I don't give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.
Why does there exist a global American entertainment industry, but there isn't an equivalent coming from France or Italy? This is the case simply because the English language opens the whole world to the American cinema.
I'm getting a little bored by the juxtaposition of American and other cinema. I no longer think this division is as true as it might have been in the 1980s, or the early part of the 90s.
If cinema is a woman then certainly there are many shores.
There's a fashion, or maybe you could call it a necessity, in French cinema to make social films, which is to say films in which the characters are defined by their social context.
After all, tomorrow is another day.
Cinema has become a global economy, totally international.
I was born at a bad time for Spain, but a really good one for cinema.
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
The chief difference between horror fans and science fiction fans lies in why they won't walk backwards. A horror fan won't walk backwards because he knows he'll be knifed by a madman. A science fiction fan won't walk backwards because he knows he'll step on the cat.
American capitalism finds its sharpest and most expressive reflection in the American cinema.
Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.
In my films, I hope there are a few moments where you feel almost illuminated, like in a state of ecstasy, stepping out of yourself, beyond yourself and perceiving something which is only, in the case of cinema, possible in collective dreams.
Cinema is all about going back from shadow to light and back and forth: cinema is a place of transgression.
Cinema is a territory. It exists outside of movies. It's a place I live in. It's a way of seeing things, of experiencing life. But making films, that's supposed to be a profession.
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