Chorus Quotes - Page 7

• The whole first two-thirds of the I Just Can't Stop Loving You song is just he and I. He's singing lead and I'm doing all the harmonies and we're both singing all the background. We're singing all the choruses until the choir comes in. We were the first two-thirds of the song.

  Siedah Garrett

  Song, Loving You, Singing

  Source: www.ebony.com

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• We're not mere spectators, or a cosmic accident, or some sideshow, or the Greek chorus to the main event. The human experience IS the main event.

  Terence McKenna

  Greek, Events, Human Experience

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• I don't dare touch her. Loss is a knowledge I'm sorry to have. Perhaps the only thing worse than experiencing it, is watching it replay anew in someone else--all the awful stages picking up like a chorus that has to be sung.

  Lauren DeStefano

  Sorry, Loss, Awful

  Lauren DeStefano (2013). “Sever”, p.318, Simon and Schuster

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• A chorus of tough southern belles whispered, You need a loyal husband around here. Loyal to you, loyal to your family, loyal to your land. I added, Good in bed, smart, and romantic. Politically, socially, and religiously compatible. And he had to want children.

  Deborah Smith

  Children, Husband, Smart

  Deborah Smith (2009). “On Bear Mountain”, p.229, BelleBooks

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• No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Wilhelmina Frankenberg.

  Jane Seymour

  War, Names, Dancing

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• It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable. ... Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass. ... Music should never be harmless. ... I remember from my earliest years, people speaking, you know, in a certain kind of rhythm and telling stories and sharing experiences in a way that was different in Indian country than it was other places. And I was really struck by this and obviously very affected by it, because it's always come out in my songs.

  Robbie Robertson

  Country, Song, Nice

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• The people who visit the [Lincoln] memorial always look like an advertisement for democracy, so bizarrely, suspiciously diverse that one time I actually saw a man in a cowboy hat standing there reading the Gettysburg Address next to a Hasidic Jew. I wouldn’t have been surprised if they had linked arms with a woman in a burka and a Masai warrior, to belt out ‘It’s a Small World After All,’ flanked by a chorus line of nuns and field-tripping, rainbow-skinned schoolchildren

  Sarah Vowell

  Reading, Warrior, Men

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• The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.

  Gayle Forman

  Song, Eye, Two

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• Whether it was a song, a person, or a story, there was a lot you couldn’t know from just an excerpt, a glance, or part of a chorus.

  Sarah Dessen

  Song, Stories, Glances

  Sarah Dessen (2008). “Just Listen”, p.165, Penguin

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• There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it. Perhaps, therefore, we should not be surprised, should not complain if the balance sometimes shifts too far and our musical sensitivity becomes a vulnerability.

  Oliver Sacks

  Song, Children, Musical

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• There are always risks in battle. It's a dangerous business. The trick is to take the right ones.' [said Halt]. 'How do you know which are the right ones?' Shigeru asked. Halt glanced at his two younger companions. They grinned and answered in chorus, 'You wait and see if you win.

  John Flanagan

  Winning, Two, Waiting

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• Human reproduction can be a sticky subject—” “Ewww!” groaned a chorus of students

  Becca Fitzpatrick

  Students, Humans, Subjects

  Becca Fitzpatrick (2014). “Hush, Hush Parts 1 & 2: includes Hush, Hush and Crescendo”, p.13, Simon and Schuster

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• The chorus of “Jack and Diane” is: Oh yeah, life goes on, long after the thrill of living is gone. Are you kidding me? The thrill of living was high school? Come on, Mr. Cougar Mellencamp. Get a life.

  Mindy Kaling

  School, Long, Gone

  Mindy Kaling (2011). “Is Everyone Hanging Out Without Me? (And Other Concerns)”, p.34, Three Rivers Press

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• (Talks about Lucky You) "The song was about a girl who didn't fit in and she didn't care and she was different than everyone else. I think there's a long chorus of me singing "Do do do do do do do do do do". It's very young and I look back and it's kind of interesting to hear those kind of storylines and the lyrics that I used to write compared to the lyrics that I write now.

  Taylor Swift

  Girl, Song, Writing

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• Look em in the eye. Make a gesture of inclusion, which he did all the time. And above all, have a chorus. So I learned from Pete Seeger to have something for them to sing.

  Tom Paxton

  Eye, Looks, Ems

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• I edit as I go. Especially when I go to commit it to paper. I prefer a typewriter even to a computer. I don't like it. There's no noise on the computer. I like a typewriter because I am such a slow typist. I edit as I am committing it to paper. I like to see the words before me and I go, "Yeah, that's it." They appear before me and they fit. I don't usually take large parts out. If I get stuck early in a song, I take it as a sign that I might be writing the chorus and don't know it. Sometimes,you gotta step back a little bit and take a look at what you're doing.

  John Prine

  Song, Writing, Typewriters

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• We worked the medley on side two of "Abbey Road" out carefully in advance. All of those mini songs were partly completed tunes; some were written while we were in India a year before. So there was just a bit of chorus here and a verse there. We welded them all together into a routine.

  George Harrison

  Music, Song, Years

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• It took a long time, but my heart now feels full when I think of him. When you fall in love again—which I have—it's funny the other things that come back in with that open-ness. You have this ghost chorus of the lovers who came before, but they're benign now, they're good spirits.

  Emma Forrest

  Falling In Love, Heart, Thinking

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• The world is not checking in with us to see what skills we've picked up, what idea we've concocted, what dreams we carry in our hearts. When a job opens, whether it's in the chorus line or on the assembly line, it goes to the person standing there. It goes to the eager beaver the boss sees when he looks up from his work: the pint-sized kid standing at the basketball court on the playground waiting for one of the older boys to head home. "Hey, kid, wanna play?"

  Chris Matthews

  Basketball, Dream, Jobs

  Chris Matthews (2002). “Now, Let Me Tell You What I Really Think”, p.200, Simon and Schuster

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• If I'm not saying it in four choruses or less, then I'm not saying it.

  Milt Jackson

  Music, Four, Jazz

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• ...."the sound of a barrel organ rising from the deepest golden vein of the day; two or three bars of a chorus, played on a distant piano over and over again, melting in the sun on the white pavement, lost in the fire of high noon.

  Bruno Schulz

  Fire, Two, Piano

  Bruno Schulz (1963). “Cinnamon Shops: And Other Stories”

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• We know the battle ahead will be long, but always remember that no matter what obstacles stand in our way, nothing can stand in the way of the power of millions of voices calling for change. We have been told we cannot do this by a chorus of cynics. They will only grow louder and more dissonant. We've been asked to pause for a reality check. We've been warned against offering the people of this nation false hope. But in the unlikely story that is America, there has never been anything false about hope.

  Barack Obama

  Reality, Offering, Voice

  Barack Obama’s New Hampshire Primary Speech, www.nytimes.com. January 08, 2008.

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• The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.

  Rob Sheffield

  Rocks, Creating, Giving

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• I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.

  Bob Seger

  Singing, Playing Music, Lines

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• I was a solid C student because I was doing so many plays. I was a drama nerd, but I was also kind of a Zelig-like character; I would shift between different groups of people. But the people I spent most of my time with were either chorus or swing choir or the drama nerds.

  John C. Reilly

  Drama, Character, Swings

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