I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references.
I didn't know that you were supposed to tune the guitar to an open chord, and I learned to play slide with a normal tuning. I think it's a little more melodic that way and doesn't sound so bluesy. Of course, if I could play like David Lindley or Ry Cooder, I'd be a happy man!
I tend to like songs that are very emotional, that strike a chord with me emotionally.
I'm no good with chords. I'm horrible with chords.
To put your hands in a river is to feel the chords that bind the earth together.
About ten years ago, I knew three chords on the guitar. Now, in 1982, I know three chords on the guitar.
It was more fun trying to figure out I Want To Hold Your Hand than to take lessons. By this time I knew basic chords
I don't understand why Europeans and South Americans can take more sophistication. Why is it that Americans need to hear their happiness major and their tragedy minor, and as jazzy as they can handle is a seventh chord? Are they not experiencing complex emotions?
We are the kind of people who obsess over one word... but we have only one shot to get it right in concert. It was hard the first time I practiced with them. I was so nervous that my vocal chords were paralyzed for about a half-hour.
I don't think I think when I play. I have a photographic memory for chords, and when I'm playing, the right chords appear in my mind like photographs long before I get to them.
I use a lot more chords than most organists and I'm careful to phrase them with the guitar.
For some reason, the concept of writing with swing chords was intimidating.
Pete Townshend used to crash chords and let the guitar feed back. He's overrated.
Conversation may be compared to a lyre with seven chords-philosophy, art, poetry, love, scandal, and the weather.
When I was on the air a lot my throat and vocal chords got tired. If you don't vary your tones you can't get pretty tired of your own voice.
It's really weird to be playing chords again. Haven't played chords for a long time. I realised I haven't played chord changes since OK Computer and stuff like that.
All you needed was a couple of instruments and a few chords and you could be on an indie label.
I just couldn't take school seriously: I had this guitar neck with four frets which I kept hidden under the desk. It had strings on it so I would practice my chord shapes under the desk and that's about all I did at school.
If you play more than two chords, you're showing off.
Except for a few guitar chords, everything I've learned in my life that is of any value I've learned from women.
I love power. But it is as an artist that I love it. I love it as a musician loves his violin, to draw out its sounds and chords and harmonies.
Music really does just boil down to basically, essentially songwriting chords and melodies.
There is a chord in every heart that has a sigh in it if touched aright.
I play until my fingers are blue and stiff from the cold, and then I keep on playing. Until I'm lost in the music. Until I am the music--notes and chords, the melody and harmony. It hurts, but it's okay because when I'm the music, I'm not me. Not sad. Not afraid. Not desperate. Not guilty.
I can write hundreds of songs on simple power chords.
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