I'm astounded by people who want to 'know' the universe when it's hard enough to find your way around Chinatown.
Most people never have to face the fact that at the right time and the right place they're capable of anything.
You wouldn't think such a place as San Francisco could exist. The wonderful sunlight there, the hills, the great bridges, the Pacific at your shoes. Beautiful Chinatown. Every race in the world. The sardine fleets sailing out. The little cable-cars whizzing down The City hills. And all the people are open and friendly.
Either you bring the water to L.A. or you bring L.A. to the water.
I goddamn near lost my nose. And I like it. I like breathing through it.
I'm not in business to be loved, but I am in business.
Politicians, ugly buildings, and whores all get respectable if they last long enough.
You're dumber than you think I think you are.
During the 1960s, one neighborhood in San Francisco had the lowest income, the highest unemployment rate, the highest proportion of families with incomes under four thousand dollars a year, the least educational attainment, the highest tuberculosis rate, and the highest proportion of substandard housing ... That neighborhood was called Chinatown. Yet, in 1965, there were only five persons of Chinese ancestry committed to prison in the entire state of California.
Hiro watches the large, radioactive, spear-throwing killer drug lord ride his motorcycle into Chinatown. Which is the same as riding it into China, as far as chasing him down is concerned.
Human beings are like detectives. They love a mystery. They love going where the mystery pulls them. What we don't like is a mystery that's solved completely. It's a letdown. It always seems less than what we imagined when the mystery was present. The last scene in `Blow Up' is so perfect because you leave the theater still dreaming. Or the end of `Chinatown,' where the guy says `Forget it, Jake, it's Chinatown.' It explains so much but it only gives you a dream of a bigger mystery. Like life. For me, I want to solve certain things but leave some room to dream.
I love mysteries. To fall into a mystery and its danger ... everything becomes so intense in those moments. When most mysteries are solved, I feel tremendously let down. So I want things to feel solved up to a point, but there's got to be a certain percentage left over to keep the dream going. It's like at the end of Chinatown: The guy says, 'Forget it, Jake, it's Chinatown.' You understand it, but you don't understand it, and it keeps that mystery alive. That's the most beautiful thing.
My daughter Alexandra once told me, "Mother, you're a pioneer. Now, hardly anybody cooks, but you were one of the first to stop." After 20 years of cooking, I started to appreciate the value of other people's work. So I would, say, go get a duck in Chinatown. I always had the salad and set the table, but I didn't have to clean the pots.
I became addicted to the movie-going experience in the 1970s, when I attended multiple screenings of films such as 'Chinatown', 'Jaws', 'Star Wars' and the original 'Rocky'.
I try to always have flowers in the house. I have a florist in Chinatown, and they deliver orchids every two weeks. I like living with living things.
prepare a little hot tea or broth and it should be brought to them . . . without their being asked if they would care for it. Those who are in great distress want no food, but if it is handed to them, they will mechanically take it ' ... There was something arresting about the matter-of-fact wisdom here, the instinctive understanding of the physiological disruptions... I will not forget the instinctive wisdom of the friend who, every day for those first few weeks, brought me a quart container of scallion-and-ginger congee from Chinatown. Congee I could eat. Congee was all I could eat.
My mother imparted her daily truths so she could help my older brothers and me rise above our circumstances. We lived in San Francisco's Chinatown. Like most of the other Chinese children who played in the back alleys of restaurants and curio shops, I didn't think we were poor. My bowl was always full, three five-course meals every day, beginning with a soup full of mysterious things I didn't want to know the names of.
I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.
I got in my car and followed [Marlon Brando] down to Chinatown, and got about twelve shots. Brando called me over and said, What else do you want that you don't have already? And I said, I'd like a picture without the sunglasses. He said no and punched me right in the jaw, It was so fast I didn't see it coming. Blood was gushing out of my mouth. I drove to Bellevue. The jawbone and five teeth were broken... To this day he has scars on his knuckles from my teeth.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: