People say to me, ‘How do I know if a word is real?’ You know, anybody who’s read a children’s book knows that love makes things real. If you love a word, use it. That makes it real.
The weekly cartoons, as were my plays, came from a sense of criticism, criticism of the times, critical of the culture, of our manners and attitudes towards each other. The children's books come from the reverse. They're more supportive, since we're living in a time where we talk more about kids and do less, we talk about balancing the budget and we do it by cutting education.
I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.
I dreamed of becoming a writer. And this dream is about to become a reality with the publication of my first, and hopefully not my last, children's book.
I have always believed in the magic of childhood and think that if you get your life right that magic should never end. I feel that if adults cannot enjoy a children’s book properly there is something wrong with either the book or the adult reading it. This of course, is just a smart way of saying I don't want to grow up.
I am an author-illustrator of children's books - and yet - I must confess I don't do the books for the kids. When I'm working on a book I'm somewhere else - at the circus - or a rustic old farm - or deep in a forest - with no thought of who might read the book or what age group it would appeal to. I write them so I can illustrate them.
You can't write a children's book that takes more than five or six minutes to read, because it will drive the parents batty. It has to be compact. Nobody thinks about the parents when they write these stupid books. I could write longer children's books, but it would actually be bad if I did.
I don't believe in children's books. I think after you've read Kidnapped, Treasure Island, and Huckleberry Finn, you're ready for anything.
What should a good children’s book be like? If you ask me, I can tell you after thinking long and hard: It must be good.
I never expected to be in the papers. I personally never expected to be in the papers. The height of my ambition for these books was, well frankly, to get reviewed. A lot of children's books don't even get reviewed.. forget good review, bad review. Personally, no, I never expected to be in the papers so it's an odd experience when it happens to you .
We only do what we think is good and what we're happy with. I do that in stand-up, I even do it with my children's books. I don't do market research, I don't have focus groups, I don't care. I don't care if it fails, honestly. I'd rather have something that's completely mine fail than something succeed that I'm not proud of.
[My mom] had always wanted to write a children's book. She was a children's librarian and an elementary school teacher, so of course she loves children and children's literature.
Back in my days as a children's book editor, my superiors caught on to the fact that teenagers were using the Internet to gossip about each other, and thought it might be nifty to develop a series of books about an anonymous high-school blogger who gossips about her classmates. The concept was passed on to me.
I've always loved children's books - it's not that I didn't like them, I just didn't think I wanted to do that. But then I suddenly realized I did.
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