When it comes time to sit down and write the next book, you're deathly afraid that you're not up to the task. That was certainly the case with me after Snow Falling on Cedars.
The Chinese, by their favourite system of dwarfing, contrive to make it, when only a foot and a half or two feet high, have all the characters of an aged cedar of Lebanon.
I remember a hundred lovely lakes, and recall the fragrant breath of pine and fir and cedar and poplar trees. The trail has strung upon it, as upon a thread of silk, opalescent dawns and saffron sunsets.
Spring is beautiful everywhere, but it is more than beautiful in Lebanon. Spring is the spirit of an unknown God speeding through the world, which, as it reaches Lebanon, pauses, because now it is as at home with the souls of the Prophets and Kings hovering over the land, chanting with the brooks of Judea, the eternal Psalms of Solomon, renewing with the Cedars of Lebanon memories of an ancient glory.
I actually do my own renovations. I designed and built a 100-foot split-cedar rail fence to enclose my property. It was one of the hardest things I've ever done. Don't recommend doing it alone. I also built a 100-square-foot back porch. Again, don't recommend doing it alone.
To sit in solitude, to think in solitude with only the music of the stream and the cedar to break the flow of silence, there lies the value of wilderness.
The Sea of Galilee and the Dead Sea are made of the same water. It flows down, clean and cool, from the heights of Herman and the roots of the cedars of Lebanon. the Sea of Galilee makes beauty of it, the Sea of Galilee has an outlet. It gets to give. It gathers in its riches that it may pour them out again to fertilize the Jordan plain. But the Dead Sea with the same water makes horror. For the Dead Sea has no outlet. It gets to keep.
The heart's affections are divided like the branches of the cedar tree; if the tree loses one strong branch; it will suffer but it does not die; it will pour all its vitality into the next branch so that it will grow and fill the empty place.
My records don't go platinum or gold. I think they go cedar.
Cedars are terribly sensitive to change of time and light - sometimes they are bluish cold-green, then they turn yellow warm-green - sometimes their boughs flop heavy and sometimes float, then they are fairy as ferns and then they droop, heavy as heartaches.
I can pass days Stretch'd in the shade of those old cedar trees, Watching the sunshine like a blessing fall,-- The breeze like music wandering o'er the boughs, Each tree a natural harp,--each different leaf A different note, blent in one vast thanksgiving.
As the sun shines both on the cedar and the smallest flower, so the Divine sun illumines each soul.
God in his harmony has equal ends For cedar that resists and reed that bends; For good it is a woman sometimes rules, Holds in her hand the power, and manners, schools, And laws, and mind; succeeding master proud, With gentle voice and smiles she leads the crowd, The somber human troop.
When I was a boy I first learned how much better water tastes when it has set a while in a cedar bucket. Warmish-cool, with a faint taste like the hot July wind in Cedar trees smells.
We saw the strong trees struggle and their plumes do down, The poplar bend and whip back till it split to fall, The elm tear up at the root and topple like a crown, The pine crack at the base - we had to watch them all. The ash, the lovely cedar. We had to watch them fall. They went so softly under the loud flails of air, Before that fury they went down like feathers, With all the hundred springs that flowered in their hair, and all the years, endured in all the weathers - To fall as if they were nothing, as if they were feathers.
I always wanted to experience the street life because my teenage life in Aberdeen was so boring. But I was never really independent enough to do it. I applied for food stamps, lived under the bridge, and built a fort at the cedar mill.
I dwell in Possibility A fairer House than Prose More numerous of Windows Superior--for Doors Of Chambers as the Cedars Impregnable of Eye And for an Everlasting Roof The Gambrels of the Sky Of Visitors--the fairest For Occupation--This The spreading wide my narrow Hands To gather Paradise
Zorba is beautiful, but something is missing. The earth is his, but the heaven is missing. He is earthly, rooted, like a giant cedar, but he has no wings. He cannot fly into the sky. He has roots but no wings.
Of all trees, I observe God hath chosen the vine, a low plant that creeps upon the helpful wall; of all beasts, the soft and patient lamb; of all fowls, the mild and guileless dove. Christ is the rose of the field, and the lily of the valley. When God appeared to Moses, it was not in the lofty cedar nor the sturdy oak nor the spreading palm; but in a bush, a humble, slender, abject shrub; as if He would, by these elections, check the conceited arrogance of man.
It was evening all afternoon. It was snowing And it was going to snow. The blackbird sat In the cedar-limbs.
accident ruled every corner of the universe except the chambers of the human heart.
slept all night in the cedar grove, i was born to ramble, born to rove, some men are searchin' for the holy grail, but there ain't nothin' sweeter than ridin' the rails
I remember a hundred lovely lakes, and recall the fragrant breath of pine and fir and cedar and poplar trees. The trail has strung upon it, as upon a thread of silk, opalescent dawns and saffron sunsets. It has given me blessed release from care and worry and the troubled thinking of our modern day. It has been a return to the primitive and the peaceful. Whenever the pressure of our complex city life thins my blood and benumbs my brain, I seek relief in the trail; and when I hear the coyote wailing to the yellow dawn, my cares fall from me - I am happy.
Much can they praise the trees so straight and high, The sailing pine,the cedar proud and tall, The vine-prop elm, the poplar never dry, The builder oak, sole king of forests all, The aspin good for staves, the cypress funeral, The laurel, meed of mighty conquerors And poets sage, the fir that weepest still, The yew obedient to the bender's will, The birch for shafts, the sallow for the mill, The myrrh sweet-bleeding in the bitter wound, The warlike beech, the ash for nothing ill, The fruitful olive, and the platane round, The carver holm, the maple seldom inward sound.
Amo, amas, I love a lass, As a cedar tall and slender; Sweet cowslip's grace is her nominative case, And she's of the feminine gender.
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