Now the canvas is not just my country Pakistan, but now the canvas is the entire world. Now the canvas is the entire ummah (Muslim nation).
Cinema is the most challenging art form that you as an artist can create. It's easier to paint a painting because you're very alone. You just have the canvas in front of you and then you do stuff. I'm not saying it's easy to paint, but it's a solitary thing. Whereas movies combine so many different things from pre-production to production, sound design, production designing, leading, organizing, while still being creative.
Being a broadcaster, man, you just sort of paint from a blank canvas, in a way.
My point is that the great challenge of an artist is to balance those two things: to be strong enough to have your own personal vision that you will put on the page or the canvas or the screen, no matter what people say, but it requires a radical sensitivity. You have to be completely open to what the world is telling you, to what your audience tells you. And balancing those two things is nearly impossible.
Nature is like a canvas, a painting of countless options and possibilities. You don't really worship spirit, because you are also spirit, and spirits don't worship one another. What makes you different from spirit overall is that you are locked into temporality. You have a body, like a piece of cloth that is decayable. While you stay in it, it's hard for you to have the same abilities that spirit has without a body. It is also easy to make mistakes about what is real, and how to go about things effectively.
The thing video games had to learn was to write, which is not to let people choose their own stuff, but actually prescribe it. To say, "This character is not a blank canvas that you can project onto. I'm going to tell you what this character is like. And I'm going to tell you what happens to them. You're going to feel involved in other ways." Video games made the mistake of thinking everything had to be projectable, and this doesn't do that at all.
On the contrary, my desire is that the viewer sees the background coming forward in the lower portion of the canvas, fighting for space, demanding presence.
I'm an artist. Gardening is my graffiti. I grow my art. I use the garden soil like it's a piece of cloth, and the plants and the trees, that's my embellishment for that cloth. You'd be surprised what the soil can do if you let it be your canvas.
I was forgetting that an artist also just stares at a piece of paper or canvas all day. It somehow never occurred to me to connect these two diverse creative modes.
To a musician or songwriter, your canvas is silence.
I sometimes use music as way of getting back to a certain time, dredging up stuff from the past and putting it down on canvas.
The construction industry likes nothing more than a blank canvas onto which they can impose a brand new building, because that way they can make more money.
I think that writers have natural canvases, and my canvas, even in short stories, often seems to be the scope of a life.
We're creating a little niche for ourselves instead of working the whole canvas.
The narrative image has more dimensions than the painted image - literature is more complex than painting. Initially, this complexity represents a disadvantage, because the reader has to concentrate much more than when they're looking at a canvas. It gives the author, on the other hand, the opportunity to feel like a creator: they can offer their readers a world in which there's room for everyone, as every reader has their own reading and vision.
Where is automatism in the work of Chirico or Tanguy? Even Dali had to renounce it in order to be able to organize the space of the canvas according to the combined laws of dreams and pictorial aesthetics.
We live in a society right now which is the last phase of the ecosystem in terms of the old entertainment value, or the old entertainment construction, which is we've gone down to this instant gratification, instant numbers, instant understanding, instant. But it's like the exact - it has perfected itself to the instant click, when, in a way, creativity originates as a much more complex beast. So we now have to reinvent a new canvas where we can indulge in it. And that's where the digital revolution creates a whole new ecosystem of entertainment.
The thing for me is, what if one returns to these maxims, these rather simplistic maxims "Be the change you want to see in the world." Because what canvas have we but the self for these kind of explorations, ultimately.
I didn't have a perfect model, but I wanted to try to blend my own personal reflections and experiences with this broader canvas to see how a lot of the narratives we have about economy and foreign policy got stuck. Because we have these categories of liberal, conservative, free marketer, open government - all these stereotypes about our politics and the categories we try to put things in are inadequate to this sort of complex, ambiguous, sometimes contradictory experience we have as ordinary people and that I have as an elected official.
Cultural identity is of course connected to this issue. When I was younger, it was inspiring to write about the people that raised me, especially their near-insane struggle to live between America and Middle East. But like many writers, I want to paint on as broad a canvas as possible.
Sometimes, in a portrait, I go straight in with paint onto canvas... Other than riding my bike up and down the hills around here, it is the most dangerous thing I do... like tightrope-walking without a safety net!
The cathode-ray tube will replace canvas.
Art lives on the mental plane (the real painting is not the set of dry pigments on the canvas nor is a symphony the sequence of sound waves that convey it to our ear) but, as the post-modernists insist, is reinterpreted in new contexts by each appreciator. As for gossip, which includes the vast majority of our thoughts, its essence is its relation to a unique local part of time and space.
The paintings to me are always canvas, sculpture has always been metal, though I have made sculpture in wood also.
In 2008 all the stars aligned perfectly for Obamas 6-point victory over John McCain. He was an inexperienced, untested neophyte, and successfully convinced enough voters to paint their own version of what hope-and-change was all about on the blank canvas he provided.
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