I grew up watching British television because I lived so close to Canada.
[British television series] Hammer House of Horror. I used to really enjoy these one-off stories where often there would be an incredibly cruel twist. A good example is the episode with Burgess Meredith and there's a nuclear war and he drops his glasses. To this day, you can show that to anyone and they'll go "Bwrrrrrrrr!" You know, sort of wander away shuddering.
I was in Britain that year [1963] and some music publishing people in Denmark Street in London suggested me to the BBC. So I found myself in front of a British television show, which was a nice surprise.
After college I funded my short films with acting roles in film and TV. I learned my craft through the great opportunities British television gave me as a director.
To this day it cracks me up to think that my debut on national British television as a reporter ends with me turning a trick.
The trouble with the British is that they are not interested in ideas. If Jesus came back today and offered to speak for an hour on British television, they would say, "What! Another talking head?
I've always been conscious of the fact that there aren't enough Irish voices on British television compared to the amount of Irish people who live there.
I came to Los Angeles and did auditions for television. I made a terrible mess of most of them and I was quite intimidated. I felt very embarrassed and went back to London. I got British television jobs intermittently between the ages of 23 and 27, but it was very patchy.
Much of what passes for quality on British television is no more than a reflection of the narrow elite which controls it and has always thought that its tastes were synonymous with quality.
Astonishing times. Who would have imagined that the Crazy Gang would yield a Hollywood film star (Vinny Jones), a British television ever-present (John Fashanu) and now a televised African dance champion?
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