I've always thought that I've been strong in what I believe in. Not that I know what I believe for absolutely everything, but the things that I do believe, it's very black and white, and yes and no.
My philosophy, like color television, is all there in black and white.
Which is probably the reason why I work exclusively in black and white... to highlight that contrast.
Celluloid will be the next decade's black and white.
I prefer to work with grey characters rather than black and white.
Light is meaningful only in relation to darkness, and truth presupposes error. It is these mingled opposites which people our life, which make it pungent, intoxicating. We only exist in terms of this conflict, in the zone where black and white clash.
I love black-and-white movies that are about contemporary subjects.
Freedom would be not to choose between black and white but to abjure such prescribed choices.
If you're not working on your best idea right now, you're doing it wrong.
The brave may not live forever, but the cautious do not live at all.
I can't understand why people are frightened of new ideas. I'm frightened of the old ones.
If you want creative workers, give them enough time to play.
Color television! Bah, I won't believe it until I see it in black and white.
Our culture thrives on black-and-white narratives, clearly defined emotions, easy endings, and so, this thrust into complexity exhausts.
Some people like living in black and white worlds. Let them stay there. Appreciate all the colors you see in your world though.
In your late teens and early twenties, everything is idealism. Everything should just work in black and white. That's good. You need that. I think most revolutions are started by people in their teens and twenties.
My own sense of the world is that very little is absolute or black and white or easily understood. I suppose in all my writing I'm trying to cast the reader into this spiritually ambivalent dream world, which hopefully mirrors more honestly the complex reality we find ourselves in.
All of the films that I've made are about the country I live in and grew up in... And I think if you're going to put an artist's eye to it, you're going to put a critical eye to it. I've always been interested in the gray area that exists between the black and white, or the red and blue, and that's where complexity lies.
Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
Colour is everything, black and white is more.
Adventure is a path. Real adventure - self-determined, self-motivated, often risky - forces you to have firsthand encounters with the world. The world the way it is, not the way you imagine it. Your body will collide with the earth and you will bear witness. In this way you will be compelled to grapple with the limitless kindness and bottomless cruelty of humankind - and perhaps realize that you yourself are capable of both. This will change you. Nothing will ever again be black-and-white.
Some negroes lie, some are immoral, some negro men are not be trusted around women - black and white. But this is a truth that applies to the human race and to no particular race of men.
Scatman, fat man, black and white and brown man, tell me 'bout the color of your soul.
For I am I: ergo, the truth of myself; my own sphinx, conflict, chaos, vortex—asymmetric to all rhythms, oblique to all paths. I am the prism between black and white: mine own unison in duality.
Nothing is black and white, and there is no purity and there is no such thing has justice.
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