A lot of wars are fought between black and whites daily in America. But if it's something I want to be with, the people who started it were black, I wouldn't not get in it.
I don't see no black and white couples in England or America walking around proud holding their children and going out.
I understand that the worst people in England at a time were ran to America, for some reason. Then slavery came and calls of aggression. But we've been there 600 years and there ain't no peace between black and whites because the cultures are different - like the Chinese and Mexicans cannot integrate: the music is different, the eating is different.
I need to get everything straight. I'm not involved in a power struggle between black and white.
America has never had a very wide vocabulary for miscegenation. We say we like diversity, but we don't like the idea that our Hispanic neighbor is going to marry our daughter. America has nothing like the Spanish vocabulary for miscegenation. Mulatto, mestizo, Creole - these Spanish and French terms suggest, by their use, that miscegenation is a fact of life. America has only black and white. In eighteenth-century America, if you had any drop of African blood in you, you were black.
There's a generation of children who don't like black and white movies. There's a level of impatience or intolerance.
It's overshadowed, the art. We're in a really argumentative, black-and-white-thinking culture right now. There's not a lot of time to take things in.
Fabio Celon did send me pages as he progressed, both in black and white and some color samples as well. It was really exciting to see the sketches and to see the story [The Kite Runner] shaping up visually.
In my essays and articles I have been saying again and again that the case of Israel and Palestine, the case of Israel and the Arab world, and indeed the case of Israel and Europe, is not black and white. It's not a western movie.
One of my earliest memories was President [J.F.] Kennedy's funeral. I actually remember sitting on the floor in the living room looking at our black-and-white television and watching the caisson roll by and hearing the clip-clop of the horses. It's actually one of my earliest memories.
It is important to remember when reading Adam Smith or even when just thinking about Smith that the era that he lived in, we're not talking about poverty in a day when it meant not enough bedrooms for the kids, an old car, a black and white television. We're talking about a whole world where poverty meant not enough to eat.
If you have the power to see things through somebody else's eyes, it's like going from black and white to color or two dimensions to three dimensions.
I hated [Robert Mugabe]. He's one of the worst human beings I've ever met. He treated black and white with equal contempt. He was a horrible human being.
Those were the places where many people mixed if they wanted to mix, which was against the law [Immorality Act of 1927]. My mother was part of that group. My father was part of that group. People who were black and whites and Indian and Asian - and you came together and said, we choose to mix at the risk of being arrested. And so they did.
I got married to Chris Sarandon, who was a graduate student, and he knew everything at that point, I thought, because he was older. He introduced me to poetry and black-and-white movies.
I do think - you look at actually what WikiLeaks came out with, most of it was just gossipy interest, except for like this Doug Band memo from a Clinton crony in black and white who explained the Clinton Foundation was a profit center for Bill Clinton and people around him.The Russians didn't make that up, that was all Hillary's [Clinton] vulnerability her own.
This is why integration will not work. It assumes that the two races, black and white, are equal and can be made to live as one. This is not true.
Whenever there is discussion, I make it clear that I do not want any grey zones, just black and white.
Nobody has shot a strip club in black and white in a long time.
The Israeli-Palestinian conflict is a tragedy; it is a clash between right and right. And, therefore it's not black and white. Sometimes, recently it is indeed a clash between wrong and wrong. It is not as simple as fascism was.
A film fable so structured that all alchemical searchings are clearly filmwise (gold being discovered cinematically in each sequence ot mixed black-and-white and color) so that when the drama-discovery is actually made, it acts as a deliberate anti-climax of aesthetic perfection.
Many houses were still full of light when, at the close of March 22, the people of the Círculo returned to their homes, which were gladdened with a fleeting gladness by an hour of justice - for there are still many slaves, black and white, in Puerto Rico!
I feel so lucky that my high school was right in the middle of Denver, which is one of those sort of segregated towns, with black and white and Hispanic neighborhoods. But the school I went to was right in the middle of the whole thing.
As I've gotten older, I've realized that things are a lot more permeable. It's not so black and white: not every journalist is a jerk.
I think the fun thing about this franchise [Planet of Apes], as storytellers, is that a lot of the franchises are very black and white. This is all about the gray areas; it's really about the nature.
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