Thinking fragments reality - it cuts it up into conceptual bits and pieces.
The beachcomber goes looking for trouble, everything he finds is a sign of trouble. The writer is the same; without trouble he has nothing to work with, so he picks over the tide line, over the bits and pieces of people's lives with grim fascination.
I'd go on the train to castings, changing from my school uniform on the train. I carried on like that for a few years, getting jobs in bits and pieces.
The so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.
Journalism is always the art of the incomplete. You get bits and pieces.
I used to write bits and pieces of comedy material for various comics that were at the Windmill... as well as my film job, I was under contract, I was allowed to do that and everything.
American companies spend more than $200 billion each year hacking women's bodies into bits and pieces, urging comparisons between self and other, linking value to air-brushed ideals, and as the girls in my seventh-grade class graduated to high school and beyond, the imagery around us would only grow more specific, more pummeling, more insidious.
Well, I think that in every character there are little bits and pieces of yourself.
I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor.
Two things have been bothering me for a long time. The first is the tendency of people in general - and that includes Christians - to "relativize" religion. Any religious belief is only "true for," so to speak - true for you or true for me or true for those people on the other side of the world. Second, I've been bothered by how poorly believers understand their own Story. They have bits and pieces, of course, but they're missing enough that they can easily become prey to ideas that sound spiritual, but end up being foolishness in the end.
I think every time you take on a new role, you're trying to help find that voice and you add your own bits and pieces along the way but with Noah [Baumbach] it's already done.
It seems that the Neanderthal DNA that modern Europeans and Asians (and also Native Americans and basically all non-African people) are carrying around is random. This means there are different bits and pieces in different populations, but it doesn't seem to amount to much that's significant.
I'm not against knowing the history of white people in the U.S. - that's not the point. The point is that there's so much greater history. We don't know about Native Americans. Very basically, we don't know that much about African American history, except that they were enslaved. You only get bits and pieces.
As I've gotten old I've really listened to a wide spectrum of music, whether it's The Carpenters, Stevie Wonder, Justin Timberlake, Jay-Z or Lauryn Hill. I've kinda' run the gamut, and in listening to so many different styles, you come to take bits and pieces from all of it.
I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
It's insane to be a writer and not be a reader. When I'm writing I'm more likely to be reading four or five books at once, just in bits and pieces rather than subjecting myself to a really brilliant book and thinking, "Well what's the point of me writing anything?" I'm more likely to read a book through when I take a break from writing.
I honestly never sat down and said "OK, here's my style," because my whole thing was knowing everyone's style. Everything I've ever written has bits and pieces of everything I've ever heard. Any rapper that tells you different is a liar.
Theater for me is terrifying but much more rewarding, because you know what they're seeing. Film is all little bits and pieces. And you can do an amazing job, but if the camera isn't getting it, it doesn't work. And then other times when you feel you really weren't present, and then you see it and somehow it works. So there's a mystery, there's a strange collaboration that takes place with everybody.
What we need is something, a definition of a human, starting from the ground up, so that the suitable moral structure that goes around it makes sense. The context has to come from the human first, rather than bits and pieces of fragments of old religion and all of the old moral superstructure, whatever it used to be.
The greatest thing about my house was that I was in the far end of it and I could make as much noise as I wanted. By the time I moved out, I had a full-sized piano, two full-sized organs, bits and pieces of a drum kit, and a whole computer set up for Pro Tools. I had this mattress in between the piano and the organ. That was the only walking room.
We pick up the lost bits and pieces, from the grass where we left them, and bring them with us into a future that will be made up of so much more as well.
When we remember something, we're taking bits and pieces of experience - sometimes from different times and places - and bringing it all together to construct what might feel like a recollection but is actually a construction. The process of calling it into conscious awareness can change it, and now you're storing something that's different. We all do this, for example, by inadvertently adopting a story we've heard.
Most Christians who've been around for a while have their Story in bits and pieces, but have never seen how powerful it really is when assembled as a whole. I want them to see how well it fits together and how it offers tremendous explanatory power regarding the world as we actually find it. I want them to see how it resolves the problem of evil, and why God's solution - the God/man Jesus - is the only solution.
That one long scene in the Leftovers I have with David Gulpilil was seven pages long. When we finished it, Mimi Leder said, "I thought you were gonna do this in bits and pieces. You just did the whole thing." And I literally couldn't remember the scene. It wasn't that I was in a trance. I said, "Just keep shooting takes until you see what you want." In 48 years of acting, which is also how long I've been married, that had never happened to me.
I think the beauty of the film industry is that if another person tries to become another person or act like another person or imitate another person, they don't really get too far. When that person starts to realize who they are and what they can bring to the table, they start to blossom and grow. With that, it's not so much me looking towards my predecessors who have paved the way in the industry - it's more getting inspired. I get little bits and pieces of what I can take from any and everybody.
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