Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what's going to happen next.
A story should have a beginning, a middle and an end, but not necessarily in that order.
Great is the art of beginning, but greater is the art of ending.
Every new beginning comes from some other beginning's end.
You're searching... For things that don't exist; I mean beginnings. Ends and beginnings - there are no such things. There are only middles.
Ends and beginningsthere are no such things. There are only middles.
Some stories don't have a clear beginning, middle and end.
I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle and end.
There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Every concept should have a beginning, middle and end.
At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.
Wherever we turn in the church of God, there is Jesus. He is the beginning, middle and end of everything to us.
I don't have any one way to tell a story. I don't have any rule book of how it's supposed to be done. But I've always said that if a story would be more emotionally involving told, beginning, middle, and end, I'll tell it that way. I won't jigsaw it, just to show what a clever boy I am. I don't do anything in my script just to be clever.
Someone did us all a grave injustice by implying that mourning has a distinct beginning, middle, and end.
It's nice to know when you're a part of a story, it's nice to know at least something about the beginning, middle, and end.
Everything is illusory. You cannot label something and feel that that is the beginning, middle, and end of it.
Stories work, if they have a beginning, middle and end.
I see a film as a puzzle, with a beginning, middle, and end, but I like to start at the end sometimes.
The thing should have plot and character, beginning, middle and end. Arouse pity and then have a catharsis. Those were the best principles I was ever taught.
Songwriters are expanding time rather than compressing time. My short stories tend to be old fashioned, with a beginning, middle and end.
Now there cannot be first principles for men, unless the Divinity has revealed them; all the rest--beginning, middle, and end--isnothing but dreams and smoke.
I think, often times, it's the audience that suffers when a show isn't given the opportunity to have a beginning, middle and end.
The beginning, middle, and end are parodied, reversed, and hidden by modernism, but not abandoned.
After all, is it not the way we humans shape the universe, shape time itself? Do we not take the raw stuff of chaos and impose a beginning, middle, and end on it, like the simplest and most profound of folktales, to reflect the shapes of our own tiny lives? And if the physicists are right, that the physical world changes as it is observed, and we are its only known observers, then might we not be bending the entire chaotic universe, the eternal, ever-active Now, to fit that familiar form?
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
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