You go to the ballet and you see girls dancing on their tiptoes. Why don't they just get taller girls?
The Dance: A minimum of explanation, a minimum of anecdotes - and a maximum of sensations.
You never advance without losing something en passant... you lose it because you're paying so much attention to the new thing.
No dancer can watch Fred Astaire and not know that we all should have been in another business.
The real American type can never be a ballet dancer. The legs are too long, the body too supple and the spirit too free for this school of affected grace and toe walking.
Everything seems to be going faster and faster. It's really harder to create something that endures. The New York City Ballet has succeeded in doing that.
In the Thirties, when I was in New York, I did the first surrealistic ballet in a show of mine.
Mum, who had been a dancer with a small ballet company before she got married, was full of encouragement. She didn't say, "This is really good, you should do this", She just encouraged us to do whatever we liked.
Dance is very, very old. With Louis XIV at Versailles is where ballet started.
I never went to a ballet until I was 45 years old. I don't know why.
I went to the Performing Arts School and studied classical ballet. That attitude is something that's put into your head. You are never thin enough.
The particular ballet was not so important as the fact that I was physically healthy, and capable of getting out there and dancing as often as possible.
I went away when I was 9 to a ballet school. I thought I wanted to be a dancer, but eight years of ballet cured me of that.
I started taking ballet lessons when I was three and a half and I still take dance classes.
I am both proud and honored to be on the Board of Directors for the Texas Ballet Theater.
I went to ballet school for nine years, and there was an agent for the whole school who happened to be there visiting one of the performances. She suggested an audition.
And it is always Easter Sunday at the New York City Ballet. It is always coming back to life. Not even coming back to life - it lives in the constant present.
You can't drink on an eight hour flight, pass out, and then go onstage... well you can, but then you're Spandau Ballet.
I think that every year that the New York City Ballet is alive is worthy of celebration. Because otherwise the terrible thing is just that we take it for granted.
I toured the Middle Eastern countries with the ballet.
I grew up in the theater and danced ballet atrociously.
I used to dance when I was younger - ballet and modern dance.
If you don't feel challenged, it's because you're not doing enough. Ballet should never feel comfortable. Comfortable is lazy! If you're comfortable when you dance, you're not pushing yourself hard enough. 100 % is not enough. You have to give 200%. One tendu takes years of hard work and will never be perfect. Everything in ballet is a challenge.
I love ballet. Ballet is its own being. It has its own vocabulary. I feel as if I am in a different world when I am in the ballet studio.
At our theaters we only see feeble copies of the copies that have proceeded them, renounce that slavish routine which keeps your art in its infancy; examine everything relative to the development of talents; be original; form a style for yourselves based on your private studies; if you must copy, imitate nature, it is a noble model and never misleads those who follow it.
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