Most people think of ballet as children in little tutus. They don't know it is sweat, blood and tears as well!
Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.
I can state that I created a ballet company of which everyone said: St. Petersburg has the greatest ballet in all Europe.
At first I didn't understand what [Thelonious Monk] was doing, but I went back again, and what I can say about Monk is that I heard ancient Africa in his music. When he played, it was like a ballet. He captured the sound of the universe. Monk could take a triad, a simple chord, and make it sound dissonant. I'm sure that element he had in his piano was part of the two years he spent traveling with his mother in gospel music in the tent shows.
I started ballet in my early 20s. I studied for about ten years. Ballet is probably the one of the hardest things I've done, almost like MMA. People don't give it a lot of credit and think it's easy but it's very difficult. For an athlete, you use muscles you really don't use and ballet is something I really respect.
Maybe people have no idea how much work is behind a picture. It can seem very effortless but there is a lot of work. It’s exactly like doing ballet. It’s hours and hours but when you go onstage it’s just the pleasure of dancing.
One of the most beautiful sights in dance is American Ballet Theatre in full flight.
I want to be a lawyer, a dancer, an actress, a mother, a wife, a childrens author, a distance runner, a poet, a pianist, a pet store owner, an astronaut, an environmental and humanitarian activist, a psychiatrist, a ballet teacher, and the first woman president.
In the world of classical ballet there are only a handful of story ballets, so getting a new one is cause for excitement.
I found at a young age that emotions aren't always handled with talking and other emotions. I started ballet, seriously around fourteen, and let me tell you, nothing can give you an emotional reset like a good ballet barre.
I go to ballet five days a week. I would love to go to a fashion show one day, because I never have.
I ended up training only for four years before I was accepted into American Ballet Theater in New York City.
I have a sister who is a dancer and dance teacher. We grew up dancing together. I wanted to become a ballerina when I was a kid, so she and I were always at ballet conservatories and going to school with our hair in buns.
I've usually never felt comfortable shooting until things were kind of claustrophobic, but ballet dancers need a lot of space, so the sets that I designed had to be big. Normally, I'd design a kitchen that was half the size of a normal kitchen, just to make everything feel kind of womb-like, but the kitchen in a ballet would have to be like 100 feet wide and just as long.
I was completely broke, so I started saying yes to everything. I said yes to a woman who approached me about shooting the Dracula ballet, even though I felt like I was probably going to sabotage it.
I have a lot of intention behind what I put out there. The reason all this stuff I do works together, the environmental and social, collaborating with ballet companies to score a show, the bike tour - all of that stuff comes together through community building with music.
I realize how much ballet gave me, and because of ballet, I’m known as a graceful gymnast.
I give myself a Pilates/yoga hybrid mat class almost every day. I also continue to take ballet classes. Both of these practices help me to be aware of my body, my center, and how I move, both with my physical space and my mental space.
The hardest thing that I'll ever do, is ballet. Because you are either good or bad.
In dance the hand hath liberty to touch, the eye to gaze, the arm for to embrace.
People often say to me - how clever you are! How brilliant to be able to go from ballet to theatre as you do. I answer that it is not clever at all. It is the gift of looking at oneself coolly, of calculating the future objectively. I could see the danger signals as far as ballet was concerned before anyone else did, that's all.
I had rather be a kitten and cry mew Than one of these same metre ballet-mongers.
I think people are people and, if their feelings are truthful, they can connect. It doesn't matter if you're an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
Contrary to vulgar legend the lives of great ballerinas are not entirely given up to a few minutes of graceful movement every night followed by champagne drunk out of their toeshoes till dawn, in the company of financiers ... no, most of their time is spent in filthy rehearsal halls, inhaling dust, or else in class, daily, year in year out, practicing, practicing even after they are already prima ballerinas.
I know a lot of choreographers prefer to do abstract dance and not be bothered with a story, but even when I'm asked to do classical ballet or a modern piece, I still want to tell a story.
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