Often turn the stile [correct with care], if you expect to write anything worthy of being read twice. [Lat., Saepe stilum vertas, iterum quae digna legi sint Scripturus.]
It takes courage to be the author of your life.
I didn't really escape that gravity until I moved 300 miles south to go to college at 18, where authorship no longer seemed something liable to induce vengeful punishment.
A man starts upon a sudden, takes Pen, Ink, and Paper, and without ever having had a thought of it before, resolves within himself he will write a Book; he has no Talent at Writing, but he wants fifty Guineas.
The lover of letters loves power too.
He who writes distichs, wishes, I suppose, to please by brevity. But, tell me, of what avail is their brevity, when there is a whose book full of them?
A man of moderate Understanding, thinks he writes divinely: A man of good Understanding, thinks he writes reasonably.
Too indolent to bear the toil of writing; I mean of writing well; I say nothing about quantity. [Lat., Piger scribendi ferre laborem; Scribendi recte, nam ut multum nil moror.]
Writing is like prostitution. First you do it for love, and then for a few close friends, and then for money.
If God is the author of life, there must be a script.
No author ever drew a character consistent to human nature, but he was forced to ascribe to it many inconsistencies.
Oh, rather give me commentators plain, Who with no deep researches vex the brain; Who from the dark and doubtful love to run, And hold their glimmering tapers to the sun.
Manner is all in all, whate'er is writ,The substitute for genius, sense, and wit.
Good ideas come from everywhere. It's more important to recognize a good idea than to author it.
Authorship is, according to the spirit in which it is pursued, an infamy, a pastime, a day-labor, a handicraft, an art, a science, a virtue.
What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we're truly the authors of our own ambitions. Because it's bad enough not getting what you want, but it's even worse to have an idea of what it is you want and find out at the end of the journey that it isn't, in fact, what you wanted all along.
People's interest is in the product, not in its authorship.
Successful writers learn at last what they should learn at first,--to be intelligently simple.
All authors to their own defects are blind.
The idea that it is necessary to go to a university in order to become a successful writer . . . is one of those fantasies that surround authorship.
The pen is the tongue of the hand; a silent utterer of words for the eye.
Authorship has never been with me a matter of choice. I have not done it for amusement, or for money, or for fame, or for any reason but because I could not help it.
The motives and purposes of authors are not always so pure and high, as, in the enthusiasm of youth, we sometimes imagine. To many the trumpet of fame is nothing but a tin horn to call them home, like laborers from, the field, at dinner-time, and they think themselves lucky to get the dinner.
Authors must not, like Chinese soldiers, expect to win victories by turning somersets in the air.
This is the magnanimity of authorship, when a writer having a topic presented to him, fruitful of beauties for common minds, waives his privilege, and trusts to the judicious few for understanding the reason of his abstinence.
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