American poetry has been part of a culture in conflict....We are a people tending toward democracy at the level of hope; at another level, the economy of the nation, the empire of business within the republic, both include in their basic premise the idea of perpetual warfare
For the past thirty years or so, much American poetry has been marked by an earnestness that rejects the comic. This has nothing to do with seriousness. The comic can be very serious. The trouble with the earnest is that it seeks to be commended. It seeks to be praised for its intention more than for what it is saying.
I exaggerate. I oversimplify. I generalize. But there’s no cynicism here. American poetry is a mess. Long live American poetry.
American poetry, like American painting, is always personal with an emphasis on the individuality of the poet.
Distinctly American poetry is usually written in the context of one's geographic landscape, sometimes out of one's cultural myths, and often with reference to gender and race or ethnic origins.
I think there's no excuse for the American poetry reader not knowing a good deal about what is going on in the rest of the world.
American poetry is a mess. Long live American poetry.
The Astonishment Tapes will now take its place within the growing field of international research about postwar American poetry's important contribution to world literature. Miriam Nichols has once again done exceptional scholarship.
I don't think the creative writing industry has helped American poetry.
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