When people ask what kind of nonfiction I write, I say 'all kinds,' but really I mean I don’t write any kind at all: I’m trying to dissolve the borders between memoir and journalism and criticism by weaving them together.
There are a lot of perks that come with fame and with every positive there's a negative and then it all kind of balances out. The travelling is great. You get to see so many different places but there's a downside; having everything splattered across every media resource that exists, being chased by photographers and have them sit at the end of your driveway every day. But it all kind of balances.
I'm very inspired by nature - you could say Mother Nature. I look at things around me and get all kinds of inspiration daily.
Depression can kill you. It can also be a spiritually enriching experience. It's really an important part of my theology now and my spirituality that life is not perfect, and I grew up wanting it to be and thinking that if it wasn't, I could make it that way, and I had to acknowledge that I had all kinds of flaws and sadnesses and problems.
If you can believe in God you can believe in a witch, it is the same package. If you can believe in one kind of nonsense, you can believe in all kinds of nonsense.
Failure is a big part of a free market's success. People fail to live up to their potential, or to carry out all their good intentions, in all kinds of economic and political systems. Capitalism makes them pay a price for their failures, while socialism, feudalism, fascism and other systems enable personal failures, especially by those at the top, to be ignored.
I know a lot of people have very strong and definite plans that they've worked out on all kinds of things, but we're subject to a tremendous number of outside influences and the vast majority of them cannot be predicted. So my idea is to stay flexible. My only plan is to keep coming to work every day. I like to steer the boat each day rather than plan ahead way into the future.
You have to trust the journey. That has become my motto for years: trust the journey. Because in the end, we're all kind of fearful. We all have fears and insecurities and ups and downs.
You don't have to just hit nails with hammers, you know; you can use a hammer to beat somebody's brains in, to make armor or break a car window. You can do all kinds of things with your instrument outside of its surface purpose. My bass is my crutch but the best crutch I could have.
My music already has this oldish kind of quality to it, like you don't necessarily know what era it was recorded in, so it all kind of felt surreal and weird. Night after night when I played live, I was really trying to figure it out in real time, and I still don't know what effect I'm going for or what effect I actually achieve. Looking back, I feel like it would be arrogant of me not to appreciate the fact that I've been able to do whatever I want and still have an audience come see me.
I've always been very, very supportive of fan cultures. I'm a fan of all kinds of things.
There's this point between conscious and subconscious when you realize you were asleep and resting, and you were having all kinds of anxiety dreams about the film and all the things that can go wrong. You get in this hypnagogic state, where you're waking up and realizing, "Oh, it was just a dream."
In all kinds of ways there are different freedoms that effect our lives and you can assess what our lives are like by looking at the various freedoms that we have.
Then we started looking at story and what was making sense and what wasn't making sense, emotionally and thematically the intention that we had a year earlier when they were working on the script, did all that come across? It's all kind of generic things, but it's fascinating and it's weird - I haven't made that many films, but it's weird that every time you think you learn from your mistakes on your last film you have a slew of new mistakes and things that you learn.
You can make a film with a phone and a computer if you want, if you have the time. So it's a world that is saturated with films and all kind of stuff, so it's such a blessing to be able to make a film and people care, and even if they say that it's a bad idea, at least they care and they're talking about it.
Everyone caved, adopted loose [accounting] standards, and created exotic derivatives linked to theoretical models. As a result, all kinds of earnings, blessed by accountants, are not really being earned. When you reach for the money, it melts away. It was never there. It [accounting for derivatives] is just disgusting. It is a sewer, and if I'm right, there will be hell to pay in due course. All of you will have to prepare to deal with a blow-up of derivative books.
The single greatest pleasure that I have in doing ('Bizarre Foods') is when I meet families with 6, 7, 8-year-olds, or teenagers, who say, 'It's something the whole family can watch, and it lets us show our younger children that one man's 'weird' is another man's 'wonderful,' and we all kind of live in the same place.' It's just the best part of my day.
Paul sees all kinds of sins in himself and all kinds of accomplishments too, but he refuses to connect them with his identity.
I learned some invaluable lessons in Nashville that apply to both farming and show business: Do not corner something you know is meaner than you; keep skunks of all kinds at a distance; if you forgive your enemies, it messes up their heads.
Therefore 'Christ hath tasted death for every man:' not only for all kinds of men, as some vainly talk, but for every one, of all kinds; the benefit of whose offering is not only extended to such, who have the distinct outward knowledge of his death and sufferings, as the same is declared in the scriptures, but even unto those who are necessarily excluded from the benefit of this knowledge by some inevitable accident.
Oh, all kinds of lunacy happens in Ireland, all kinds of lunacy.
When we really understand time travel we may find out it's as common as dirt and has been going on all around us is all kinds of physical processes.
Man's genius has with God's help produced marvelous technical inventions from creation, especially in our times. The Church, our mother, is particularly interested in those which directly touch man's spirit and which have opened up new avenues of easy communication of all kinds of news, of ideas and orientations.
For me it's an issue of are we afraid of ourselves? And we inherit a huge bunch of idealogical baggage, not only Christianity, but Freudianism, and Marxism . . . We inherit all kinds of idealogical baggage designed to make us fear ourselves.
In this life there is no purgatory; it is either hell or paradise; for to him who serves God truly, every trouble and infirmity turns into consolations, and through all kinds of trouble he has a paradise within himself even in this world: and he who does not serve God truly, and gives himself up to sensuality, has one hell in this world, and another in the next.
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