First, I'm trying to prove to myself that I'm a person. Then maybe I'll convince myself that I'm an actress.
I'm not an actress who can create a character. I play me.
A Latin teacher told me I might make a good actress, and that stuck in my memory. I did some modeling, and Polanski gave me that small part.
I'm not an actress, you know. I don't know what's going on. And I'm supposed to be the villain.
I'm a pretty girl who's a model who doesn't suck as an actress.
The only thing that separates women of color from everyone else is opportunity.
You cannot win an Emmy for roles that are simply not there.
I'm not used to being asked what I want to talk about. That's why I'm an actress. Get told what to do, stand on the mark, say your words, wear this, look this way, look that way.
I like being a mother, and I want to be involved in my work, so I have to make choices. If you're a film actress, your career is from 20 to 45, but you can still dream.
Fighting the ageing process just doesn't work. I think that actresses, ultimately, are responsible for the faces we give to women.
To save the Theatre, the Theatre must be destroyed, and actors and actresses all die of the Plague ... they make art impossible.
I never had any desire to become a well-known actress.
I don't consider myself a great actress. I'm just trying to stay alive, actually. I think I'm good, and I've learned a lot, certainly, mostly in the theater. I've been sloughed off movies for years. But what can you do? That's life.
Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.
The New World is rated PG-13 (Parents strongly cautioned). There is some intense, bloodless violence and the beautiful underage lead actress (15-year-old Q'orianka Kilcher) may cause cardiac arrest among some viewers.
There will be a competition among critics for the best Paris Hilton insult. Here's my first: Her attention span is so short that she can't even maintain her concentration while running away from a psycho... Maybe the ultimate insult is that she makes her co-star Elisha Cuthbert seem, by comparison, the sexiest and most interesting actress in modern cinema.
What is Camille Paglia doing, writing that an actress as gifted as Anne Heche has the mental depth of a pancake? How many pancake brains could do what Heche did with David Mamet's dialogue in Wag the Dog? No doubt Heche has been stuck with a few bad gigs, but Paglia, of all people, must be well aware that being an actress is not the same safe ride as being the tenured university professor of humanities and media studies at the University of the Arts in Philadelphia.
I'm a great believer in conversational rhythm. I think in terms of rhythmic dialogue. It's so easy, you can talk naturally. It's like peas rolling off a knife. Take the great screen actors and actresses, Bette Davis, Eddie Robinson, Jimmy Cagney, Spencer Tracy. They all talk in rhythm. And rhythm and movement are the life of the screen.
I'm a huge fan of Steve Martin. He's hilarious, but he has this depth to him and this way of dealing with the difficult things in life with a sense of humor that I think has helped me as an actress.
I love being challenged physically, as an actress.
I think the hardest thing about the part is the responsibility that you feel playing something that is so real and resonant in our times. There are people coming home right now with those stories, and I'm just an actress pretending to be that person. You hope that you can shed some light on somebody's predicament.
When you're working on something where there's usually one sex scene in the film, it all gets a little bit of a gray area and people get a bit uncomfortable and awkward. You just get through it. But, it became very clear on this that that can't happen. There can't be any gray areas on this because there are actors and actresses coming in for a day or a couple of days, as well as people who are there regularly.
We knew, very early on, that we had to be very, very clear that directors need to speak to actors and actresses and be very clear about what is expected, and find out whether they're comfortable with that. Wardrobe has to be in place. There have to be checks.
I'm certainly not on a mission to be taken seriously as a dramatic actress, any more than I am just to be able to get roles that are exciting and satisfying to me. If that means action, then that means action.
There's a kind of amateurishness among French actresses, but I don't share that completely.
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