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  • In editing, it's amazing how you choose the in and out points. What you cut on is everything for creating tension. It's amazing how expanding a shot by five seconds can just ruin the tension.

    Sean Durkin
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    "FUTURES| Sundance’s Golden Boy Sean Durkin, Director/Writer of 'Martha Marcy May Marlene'" by Nigel M. Smith, www.indiewire.com. October 20, 2011.
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In editing, it's amazing how you choose the in and out points. What you cut on is everything for creating tension. It's amazing how expanding a shot by five seconds can just ruin the tension. - Sean Durkin
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