Authors:
  • Our large trading cities bear to me very nearly the aspect of monastic establishments in which the roar of the mill-wheel and the crane takes the place of other devotional music, and in which the worship of Mammon and Moloch is conducted with a tender reverence and an exact propriety; the merchant rising to his Mammon matins, with the self-denial of an anchorite, and expiating the frivolities into which he maybe beguiled in the course of the day by late attendance at Mammon vespers.

    John Ruskin (1872). “The Political Economy of Art: Being the Substance (with Additions) of Two Lectures Delivered at Manchester, July 10th and 13th, 1857”, p.124