I believe that being dependent makes you more vulnerable. I believe work is the greatest gift you will ever receive.
The imagination is far better at inventing tortures than life because the imagination is a demon within us and it knows where to strike, where it hurts. It knows the vulnerable spot, and life does not, our friends and lovers do not, because seldom do they have the imagination equal to the task.
The patterns that are normalized in the family - the whole idea that some people cook and some people eat, that some listen and others talk, and even that some people control others in very economic or even violent ways - that kind of hierarchy is what makes us vulnerable to believing in class hierarchy, to believing in racial hierarchy, and so on.
I feel terribly vulnerable and 'not-myself' when I'm not writing.
I have come to the conclusion that it's a waste of time to have too much pride in anything. Perhaps it's good to have a sense of duty, a jealous zeal to protect or improve, but pride ultimately is only that which stands vulnerable to offense and degradation.
They [daisies] are my favorite flower. There is something innocent and vulnerable about them as if they thanked you for admiring them.
To surrender one's vulnerable body to water has always seemed to me a limpid act of will that has no coutnerpart or equal, unless it is sex.
Thought ... is still possible, and no doubt actual, wherever men live under the conditions of political freedom. Unfortunately ... no other human capacity is so vulnerable, and it is in fact far easier to act under conditions of tyranny than it is to think.
Most young people now are very vulnerable as to what the American film aficionados are going to say. They care too much about a system that has no room for them. It's really a serious issue for me, because to me it's, how do I survive beyond a film that was disgraced or praised?
In rock 'n' roll it's really about being as vulnerable as possible and giving them what they want. But onstage it's about pausing, about internal life, it's about internal triggers - that's one of the reasons I'm really challenged to do a play.
I am dead already. Physical death will make no difference in my case. I am timeless being. I am free of desire or fear, because I do not remember the past or imagine the future. Where there are no names and shapes, how can there be desire and fear? With desirelessness comes timelessness. I am safe, because what is not, cannot touch what is. You feel unsafe, because you imagine danger. Of course, your body as such is complex and vulnerable and needs protection. But not you. Once you realize your own unassailable being, you will be at peace.
Real happiness is not vulnerable, because it does not depend on circumstances.
Youth is no less vulnerable, by the very quality it has of making the heart ache that beholds and has lost it.
I think that the older I get and the more comfortable I get with myself, the more I realize that art is about relinquishing control of your emotions and being vulnerable and innocent.
We are all products of our time, vulnerable to history.
The young are so much more vulnerable than the old - the stuff is still warm and malleable, it takes impressions.
Anger is a passion, so it makes people feel alive and makes them feel they matter and are in charge of their lives. So people often need to renew their anger a long time after the cause of it has died, because it is a protection against helplessness and emptiness just like howling in the night. And it makes them feel less vulnerable for a little while.
I am desperate and vulnerable. ... I am always terrified.... Beauty can sometimes be so very troublesome.
In being vulnerable, we reach for our greatest need while risking our greatest pain.
Truth, acceptance of the truth, is a shattering experience. It shatters the binding shroud of culture trance. It rips apart smugness, arrogance, superiority, and self-importance. It requires acknowledgment of responsibility for the nature and quality of each of our own lives, our own inner lives as well as the life of the world. Truth, inwardly accepted, humbling truth, makes one vulnerable. You can't be right, self-righteous, and truthful at the same time.
When I was younger I used to lock myself in the bathroom and read in the dry tub. I was also a fan of the 'shoe closet.' Reading felt thrilling and illicit and deeply private to me, and I felt vulnerable doing it in public.
Motherhood didn't make you stronger; it made you vulnerable and afraid of what death could steal from you.
Besides re-arming myself with joy, I need to know the holes in my defenses, the places where I'm vulnerable and where the enemy has successfully attacked me before.
I think to be honest, that being is inside. I meet that being in so many people that I meet everywhere in the world and when I do meet that being, in other people, what I want to ask is "How do we keep opening ourselves so that we can become as vulnerable and as willing to live in the deepest complexity and ambiguity and truth that we can?
State censorship presents itself as a bulwark between society and forces of subversion or moral corruption. To dismiss this account of its own motives by the state as insincere would be a mistake: it is a feature of the paranoid logic of the censoring mentality that virtue ... must be innocent, and therefore, unless protected, vulnerable to the wiles of vice.
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