It requires a very unusual mind to undertake the analysis of the obvious.
Poetry is when you make new things familiar and familiar things new
The two most engaging powers of an author are to make new things familiar, familiar things new.
Traveling is a brutality. It forces you to trust strangers and to lose sight of all that familiar comfort of home and friends. You are constantly off balance. Nothing is yours except the essential things: air, sleep, dreams, sea, the sky - all things tending towards the eternal or what we imagine of it.
All, all are gone, the old familiar faces.
I have had playmates, I have had companions; In my days of childhood, in my joyful school days - All, all are gone, the old familiar faces.
To my mind, the greatest reward and luxury of travel is to be able to experience everyday things as if for the first time, to be in a position in which almost nothing is so familiar it is taken for granted.
We take a natural interest in novelties, but it is against nature to take an interest in familiar things.
Familiar things are a comfort to us all.
What affects men sharply about a foreign nation is not so much finding or not finding familiar things; it is rather not finding them in the familiar place.
When I've tried to reinvent the wheel, I get bashed for not doing the familiar things.
I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way, and making the reader reconsider the documentary facts which he or she may have known before.
There's something I have about being Canadian - there's a distance it gives you when you live in the States and operate in American culture. You approach familiar things a different way; you come at it from a different angle. It's a trait that runs through a lot Canadian artists' work and actors' work and musicians' - that kind of special remove.
I believe in a set of values I cannot live by. I set high goals for myself, I seek perfection, dream of exotic faraway places. But ultimately, what I long for isn't far away at all. It's in my own backyard. Imperfection charms me, familiar things move me... a celebration of what we have, instead of what we long for. That for me, is glamor.
Most of us lead far more meaningful lives than we know. Often finding meaning is not about doing things differently; it is about seeing familiar things in new ways.
It is the first changes among familiar things that make such a mystery of time to the young; afterwards we lose the sense of the mysterious. I take changes in all I see as a matter of course. The instability of all human things is familiar to me, to you it is new and oppressive." (Mr. Bell)
While it may not heighten our sympathy, wit widens our horizons by its flashes, revealing remote hidden affiliations and drawing laughter from far afield; humor, in contrast, strikes up fellow feeling, and though it does not leap so much across time and space, enriches our insight into the universal in familiar things, lending it a local habitation and a name.
Most of us prefer to walk backward into the future, a posture that may be uncomfortable but which at least allows us to keep on looking at familiar things as long as we can.
In this work are exhibited, in a very high degree, the two most engaging powers of an author. New things are made familiar, and familiar things are made new.
With a little persuasion, any familiar thing can turn abnormal in the mind. Here's a thought experiment. Consider this brutal bit of magic. A human grows a second human in a space inside her belly; she grows a second heart and a second brain, second eyes and second limbs, a complete set of second body parts as if for use as spares, and then, after almost a year, she expels that second screaming being out of her belly and into the world, alive. Bizarre, isn't it?
New things are made familiar, and familiar things are made new.
The essential fault of surrealism is that it invents without discovering. To make a clam play an accordion is to invent not to discover. The observation of the unconscious, so far as it can be observed, should reveal things of which we have previously been unconscious, not the familiar things of which we have been conscious plus imagination.
A fine artist is one who makes familiar things new and new things familiar.
Original minds are not distinguished by being the first to see a new thing, but instead by seeing the old, familiar thing that is over-looked as something new.
Mysteries lie all around us, even in the most familiar things, waiting only to be perceived.
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