I'm going to make him an offer he can't refuse.
May the Force be with you.
I'll make him an offer he can't refuse.
Frankly, my dear, I don't give a damn.
You're a disease. And I'm the cure.
You're gonna need a bigger boat.
I will always continue to make stupid action films but I think 'V For Vendetta' is a very smart film and I think that people will feel differently about things when they see it.
Whether that's an action film or a comedy or a drama or anything in between, I'm willing to prove that I can play with the big boys.
I think there are three types of actors. There are the ones that do the ego thing, which is "I'm never going to look bad in a movie, ever." This is mostly the action film dudes, like, "Nah, hell no. He ain't punchin' me! I'd whoop his ass!" Then you've got the activist type who bases their decisions in the development of a character on what it symbolizes to society - what the ethical code is. And then the third type is a true thespian who doesn't give a flying rat's ass what it is as long as it's deep, powerful, and painful, and they will dive in headfirst. I really respect those people.
We see films all the time, whether they have access to all kinds of intellectual property or artifacts, and the one thing that they don't get is story. So I think whether you're talking about a biopic or an action film or a science-fiction film that has all the CGI in the world, if you're not trying to connect with an audience, it doesn't really matter.
I've always really loved action films, but I don't see myself as a superhero girl.
The worst of the action films are the ones where everything is one shout from beginning to finish. And there's no differentiation between beats, like small or big, or quiet or expansive. It's all just one loud shout.
I didn't really watch action films growing up! I grew up on stuff like 'Anne of Green Gables' - that was more when I was in elementary school. It was all I ever watched.
Every actor who has done an action film has a little tiny scar somewhere from that.
I have a lot of brothers. It's easy for me to do physical stuff. I had to survive. I really love it, and I'd love to do more of it. I want to do action films. I want to go and hang off of wires, and jump off of bridges, and hang on bungee cords. I've always really loved it.
If I can do anything in this time of my career, I want to make it easier for other actresses and girls who are growing up to go, 'I get to be a part of a comedy or an action film or a romantic comedy or a thriller or just a romance, without having to wind up with someone to complete us.' I complete me. I just got lucky that, after I completed myself, I met someone who could tolerate me.
You should see me during an action film. I look like an abuse victim.
I'd love to do a Paul Greengrass movie, or something like that, that's a character-driven action film. I'd like someone to make me go to the gym every day, and all that stuff. I don't know. Wherever the good characters are, I tend to try to get a job. It was nice because this was dipping my toe in the action genre. Maybe I might put my foot in, next time.
I'm a tomboy at the end of the day, so anything that causes me to have to run around, fight people, roll in the dirt, hop a fence - I'm all for it. So I really would love to do an action film.
There's good art and there's bad art. A lot of action films are bad art, but Paul Greengrass showed us with the Bourne films that it's possible to make an action film with a political, social conscience.
For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.
I was keen to direct an action film, and when Reliance approached me for the remake of Singham, I saw an opportunity to return to my first love.
I love action films. I don't really like drama.
Back in the Bruce Lee era, and in my era, Kung-Fu stirred up a kind of frenzy, and many people were learning martial arts from us. But about a decade ago, Hollywood began bringing in a number of our action choreographers, including two from my own stunt crew, where they became martial arts directors. Now, a decade later, Hollywood has learned it all, so when you look at the action films they're making now, they all use our action, our martial arts, and then add to that their own technology which is ten times better than ours, and it has to leave us dumbfounded: how did they film that?
I hope I can make some Hollywood-type action films like 'Batman' or 'Spiderman', action films like that. With some wire work, maybe wearing a mask. Like that.
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