I wrote the song "Show Me" as a prayer to God asking simple, honest questions about life and death and why there is so much suffering in the world. As I grew with the song I realized I shouldn't limit these questions solely to God; I should ask those questions of others and of myself.
I think it's hard to really write a song that will educate someone because songs are meant to be ... you don't want to be too didactic in a song because it doesn't make for good music. And I think the role of songs can be to inspire people but there needs to education and prose to back that up.
I've written good love songs when I have been in love and I've written good love songs when I haven't.
That's the evergreen nature of a great song. They can be resurrected. They can be covered. They can find new relevance due to changing circumstances in history.
People tell me all the time that my songs help them express things to loved ones that they may not be able to say themselves.
Every artist wants some sort of feedback, because you make this music and you hope people love it and you want to hear if they love it and what they love about it, what their favorite song is, what they think the next single should be. I like to hear those things.
For me there's insecurity when you're releasing an album because you spend all of this time working on that one thing and then once it's done, it's done. After you put it out there to the public you never know which songs are going to work or even if the album is going to work as a whole so there is a little bit of nervousness around predicting what the numbers will be and if it's going to be well-received.
There's a lot of hurry up and wait. But it gives you time to write a song.
Music business is hard. It's very difficult. And it's not for everyone. Even if you can sing or even if you can write a song, it takes a lot of determination, it takes some kind of thick skin.
I like songs that have like a little bit of quirkiness to them. What I like to do with songs, is kind of throw a little curveball in the lyrics or in the arrangement, to kind of give it a little twist to it.
You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.
Even if you can sing or even if you can write a song, it takes a lot of determination, it takes some kind of thick skin, because you got to persevere despite the fact that people tell you you shouldn't do this or you shouldn't do that or you're not good enough or your style's too different. I've heard all of that stuff.
When I write, I don't really focus on duets or anything like that, or whether I'm going to feature this or that rapper. I just focus on just making a great song and figure out the rest later.
Well, I like songs that have like a little bit of quirkiness to them.
The main focus for me is not trying to find duet partners. It's about just making great songs. I want most of my album to be in my voice, because it's my point of view.
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