Well, I think it’s extraordinarily fun to write, and I look forward to it every day, but that doesn’t mean I think it’s easy. There’s a difference between the two. It’s fun in the way all worthwhile things are fun – there’s difficulty attached to it. I think that a writer has to accept a certain amount of frustration. It’s inherent in the task, and you have to simply persevere. It’s part of the definition of the work.
There are things in this universe that we cannot control, and then there are the things we can. . . . Let fate, coincidence, and accident conspire; human beings must act on reason.
None of those other things makes a difference. Love is the strongest thing in the world, you know. Nothing can touch it. Nothing comes close. If we love each other we're safe from it all. Love is the biggest thing there is.
I write because something inner and unconscious forces me to. That is the first compulsion. The second is one of ethical and moral duty. I feel responsible to tell stories that inspire readers to consider more deeply who they are.
Fiction is socially meaningful.
Everybody has a world, and that world is completely hidden until we begin to inquire. As soon as we do, that entire world opens to us and yields itself. And you see how full and complex it is.
When it comes time to sit down and write the next book, you're deathly afraid that you're not up to the task. That was certainly the case with me after Snow Falling on Cedars.
The best advice on writing I've ever received is to take it seriously, because to do it well is all-consuming.
Writers shouldn’t underestimate the difficulty of what they’re doing, and they should treat it with great seriousness. You’re doing something that really matters, you’re telling stories that have an impact on other people and on the culture. You should tell the best stories you can possibly tell and put everything you’ve got into it.
I know you'll think this is crazy, but all I want to do is hold you, and I think that if you'll let me do that just for a few seconds, I can walk away, and never speak to you again.
At one level you're condemned to the voice you have. But within those confines, you have a certain amount of freedom to range among your possible voices.
He didn't like very many people any more, or very many things either. He preferred not to be this way, but there it was, he was like that. His cynicism, a veteran's cynicism, was a thing that disturbed him all the time.
The strange thing was, he wanted to like everyone. He just couldn't find a way to do it.
accident ruled every corner of the universe except the chambers of the human heart.
What some people interpret as brooding melancholy is serenity. I don't feel required to grasp all the time.
To persevere is always a reflection of the state of one's inner life, one's philosophy and one's perspective
I'm interested in themes that endure from generation to generation.
I think you have an obligation to share what you know as a writer.
When I went to college I took a creative writing class and decided in a week to be a writer.
Hemingway said the only way to write about a place is to leave it.
I have relaxed into my persona as an author, although I used to fight that.
Time made me change. I gradually woke up to the realization that this is who I am, an author, a public figure, and I couldn't just hide in my study, tapping away at the keyboard and pretend that I didn't have a role to play beyond stringing words together.
Even though I may not intend it when I set out to write the book, these places just emerge as major players in what I'm doing, almost as if they are insisting on it.
Don Quixote is one that comes to mind in comparison to mine, in that they both involve journeys undertaken by older men. That is unusual, because generally the hero of a journey story is very young.
I'm a hypocrite, of course, and I live with that, but I live.
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