I allow myself to be guided by the work which is in the process of being born. I have confidence in it. I do not think about it.
While guns rumbled in the distance, we sang, painted, made collages and wrote poems with all our might. We were seeking an art based on fundamentals, to cure the madness of the age, and find a new order of things that would restore the balance between heaven and hell.
Art is a fruit that grows in man, like a fruit on a plant, or a child in its mother's womb.
Often the hands grasp more quickly than the head.
All things, and man as well, should be like nature, without measure.
Soon silence will have passed into legend. Man has turned his back on silence. Day after day he invents machines and devices that increase noise and distract humanity from the essence of life, contemplation, meditation.
Dada aimed to destroy the reasonable deceptions of man and recover the natural and unreasonable order.
Any work that is not rooted in myth and poetry or that does not partake of the depth and essence of the universe is merely a ghost.
The essence of a sculpture must enter on tip-toe, as light as animal footprints on snow.
We do not wish to imitate nature, we do not wish to reproduce. We want to produce. We want to produce the way a plant produces its fruit, not depict. We want to produce directly, not indirectly. Since there is not a trace of abstraction in this art we call it concrete art.
To be full of joy when looking at an oeuvre is not a little thing.
Ever since my childhood, I was haunted by the search for perfection. An imperfectly cut paper literally made me ill. I would guillotine it.
DaDa is beautiful like the night, who cradles the young day in her arms.
The vertical and the horizontal are the extreme signs available to man for touching the beyond and his inwardness.
Zurich in 1915,... While the thunder of the batteries rumbled in the distance, we pasted, we recited, we versified, we sang with all our soul. We searched for an elementary art that would, we thought, save mankind from the madness of these times.
Since the time of the cavemen, man has glorified himself, has made himself divine, and his monstrous vanity has caused human catastrophe. Art has collaborated in this false development. I find this concept of art which has sustained man's vanity to be loathsome.
I use very little red. I use blue, yellow, a little green, but especially... black, white and grey. There is a certain need in me for communication with human beings. Black and white is writing.
It was Sophie ( Sophie Arp Tauber, woman artist and later Arp's wife) who, by the example of her work and her life, both of them bathed in clarity, showed me the right way. In her world, the high and the low, the light and the dark, the eternal and the ephemeral, are balanced in prefect equilibrium.
We attempted perfection; we wanted an object to be without flaw, so we cut the papers with a razor, pasted them down meticulously, but it buckled and was ruined... that is why we decided to tear prewrinkled paper, so that in the finished work of art imperfection would be an integral part, as if at birth death were built in.
I like nature but not its substitutes... Mondrian opposed art to nature saying that art is artificial and nature is natural. I do not share this opinion... Art's origins are natural.
The important thing about Dada, it seems to me, is that Dadaists despised what is commonly regarded as art, but put the whole universe on the lofty throne of art.
Each one of these bodies (art-works Arp made) certainly signifies something, but it is only once there is nothing left for me to change that I begin to look for its meaning, that I give it a name.
Wij wezen allles wat kopie of beschrijving was af en lieten het elementaire en het spontane in volle vrijheid reageren. Omdat de plaatsing van de vlakken en de kleuren en de verhoudingen van deze vlakken louter op toeval schenen te berusten, verklaarde ik dat deze werken, zoals in de natuur, gerangschikt waren "volgens de wetten van het toeval", toeval dat voor mij alleen maar een beperkt onderdeel vormde van een onpeilbare reden van bestaan, van een orde die in zijn totaliteit ontoegankelijk was.
Tooting, howling, screeching, booming, crashing, whistling, grinding, and trilling bolster his [mankind's] ego. His anxiety subsides. His inhuman void spreads monstrously like a gray vegetation.
A painting or sculpture not modelled on any real object is every bit as concrete and sensuous as a leaf or a stone... but it is an incomplete art which privileges the intellect to the detriment of the senses.
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