The world is wide; no two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of the world; and the genuine productions of art, like those of nature, are all distinct from one another.
My canvas soothes me into forgetfulness of the scene of turmoil and folly - and worse - of the scene around me. Every gleam of sunshine is blighted to me in the art at least. Can it therefore be wondered at that I paint continual storms? "Tempest o'er tempest roll'd" - still the "darkness" is majestic.
My art flatters nobody by imitation, it courts nobody by smoothness, nobody by petitelieness without either fal-de-lal or fiddle-de-dee; how then can I hope to be popular?
The first impression and a natural one is, that the fine arts have risen or declined in proportion as patronage has been given to them or withdrawn, but it will be found that there has often been more money lavished on them in their worst periods than in their best, and that the highest honours have frequently been bestowed on artists whose names are scarcely now known.
Verse is a mechanism by which we can create interpretative illusions suggesting profoundities of response and understanding which far exceed the engagement or research of the writer.
There has never been a boy painter, nor can there be. The art requires a long apprenticeship, being mechanical, as well as intellectual.
Connoisseurs think the art is already done.
The climax of absurdity to which art may be carried when led away from nature by fashion, may be best seen in the works of Boucher.
When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead - for the darkest shade, umber or soot.
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